Dominican Republic 2016 National Anthem 50th Anniversary

On 7 June 1897, the Congress of the Dominican Republin passed an act adopting "Himno Nacional" with the original music and revised lyrics as the country's official national anthem; however, then President Ulises Heureaux (1846-1899) vetoed the act because the lyric's author, Prud’Homme, was an opponent of the president and his administration. In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934 when "Himno Nacional" was officially adopted and signed into law.

The Spanish name of the Dominican Republic, "República Dominicana", is never used in the anthem's official Spanish lyrics nor is the denonym for Dominicans, "dominicanos". Rather, the indigenous word for the island Hispaniola, "Quisqueya", is used twice and its derivative denonym, "quisqueyanos", is used once. However, research later shows that these words does not seem to derive from the original Arawak language.

 Dominican Republic 2016 National Anthem 50th Anniversary - Mint Never Hinged (MNH)Imperforate Sheetlet with 1 value (1v Imperf M/S): $50

Anthem Covers with Special Postmarks

Sierra Leone National Anthem on Stamps

Formerly a British colony, this west African nation adopted its national anthem, "High We Exalt Thee, Realm Of The Free", upon independence in 1961. The composer of the music, John Joseph Akar, was the first post independence Director of the Sierra Leone Broadcasting Service (SLBS) as well as the founder of the Sierra Leone national Dance Troupe, and the lyricist Clifford Nelson Fyle, was a professor at Fourah Bay College in Sierra Leone.

John Joseph Akar (1927–1975) was a Sierra Leone-an of Lebanese descent entertainer, writer, and diplomat. He served as Sierra Leone-an Ambassador to the United States. Today, he is probably best known for composing the music of the Sierra Leone's National Anthem.

Akar was born in the small town of Rotifunk, Moyamba District in the Southern Province of Sierra Leone, to an ethnic Sherbro mother and to a Lebanese father. Akar attended the E.U.B. primary school in Rotifunk, and proceeded to Albert Academy secondary school in Freetown. After he completed his secondary education, he moved to the United States to study commercial radio and television. In 1960, Akar became the first non-Creole and the first Sherbro to be appointed Director of Broadcasting of the Sierra Leone Broadcasting Services (SLBS).

In 1963, Akar founded the National Danced Troop. He used the group to encourage Sierra Leone-ans to be proud of the cultural heritage. In 1964, Akar and the National Dance troop were invited to the United States to perform at New York world fair. They won the best performance of the fair, and was presented with plaque. In late 1964, they performed at the art festival in London. In 1965 they performed at the Negro Arts festival in Dakar, Senegal. In 1966, they went on a four months tour of Europe, including performances in Germany, Sweden and France.

Above, flag, coat of arms and title of the national anthem on postage stamp issued in 2011. Below is the map and score of the anthem.

Iranian Anthem Composer, Ruhollah Khaleqi, on Stamp

On July 11, 2011, Iran issued a stamp on musician and composer Ruhollah Khaleqi known for his composition of Iran’s former national anthem "O, Iran". The stamp, printed in commemoration of the musician, was unveiled during a ceremony held on the side section of Iran’s National Orchestra performance in the presence of Iranian tar virtuoso Hossein Alizadeh.Khaleqi was brought up in a family of music lovers. He was a student of celebrated composer and musician Ali-Naqi Vaziri.His other credits include several books on music under the titles “History of Iranian Music” and “A View on Iranian Music.”

Rūhollāh Khāleqi (1906, Kerman, Iran – November 12, 1965, Salzburg, Austria) , also spelled as Khaleghi, was a prominent Iranian musician, composer, conductor and author. Ruhollah Khāleghi was born in Mahan, a small town near Kerman, in a musically minded family. He first became acquainted with the tar, but later started to learn to play the violin. As soon as Ali-Naqi Vaziri established his School of Music, Khāleghi left school and joined Vaziri's school, where he studied for eight years. Soon he became his master's assistant and was placed in charge of teaching music theory. He later continued his education and obtained a B.A. degree in Persian Language and Literature from the University of Tehran.

In 1944 Khāleghi established the National Music Society and in 1949, thanks to the efforts of this great artist, the School of National Music was founded. After his first journey to the former U.S.S.R. in 1955, he became involved in the Iran-Soviet Society and was selected as a member of its Board of Directors.

He also began to serve as the director of the Payām-e-Novin Magazine. His work, The History of Persian Music, which was published in two volumes, took shape during these years. His other published works include: Harmony of Western Music, Theory of Eastern Music, and Theory of Persian Music.

For many years Khāleghi worked as a musical advisor for Radio Iran and was one of the founders of the program known as Gol'hā (Flowers). He also conducted the Gol'hā Orchestra, for which he composed many pieces and revised the original compositions of his contemporaries as well as older masters, such as Āref and Sheydā. Although revised, the compositions retained all their original characteristics.

Khāleghi's compositions are not limited to what he wrote for Gol'hā. In addition to such masterpieces as Mey-e Nāb (Pure Wine), Āh-e Sahar (Sigh at Dawn), Hālā Cherā (Why Now?), and Chang-e Rudaki (Rudaki's Harp), he composed many other lyrical pieces and hymns, which were mostly patriotic. These include such works as Ey Iran (see Gholām-Hossein Banān) and the Hymn for Azarbaijan. Khāleghi established The National Music Society and Persian National Music Conservatory in 1949 in Tehran.

He died in 1965 in Salzburg, Austria and was buried in Zahir o-dowleh cemetery, Darband, Tehran.

China Anthem Composer, Ni Er, on Postcard

Nie Er (February 14, 1912 — July 17, 1935), was a Chinese composer. He is known for composing the national anthem of the People's Republic of China, the March of the Volunteers. In numerous Shanghai magazines he went by the English name "George Njal".

Nie Er's ancestors were from Yuxi, Yunnan, in southwest China. He was born in Kunming, Yunnan. From an early age Nie Er displayed an interest in music. From 1918 he studied at the Kunming Normal School's Associated Primary School. In his spare time, he learnt to play traditional instruments such as the dizi, erhu, sanxian, and yueqin, and became the conductor of the school's Children's Orchestra. In 1922 he entered the Private Qiushi Primary School (Senior Section), and in 1925 entered Yunnan Provincial Number One Combined Middle School.

In 1927 Nie Er graduated from Yunnan Provincial Number One Combined Middle School, and entered Yunnan Provincial Number One Normal School. At school, he participated in the Book Club, and organised the "Nine-Nine Music Society", which performed within the school and outside. During this time, he learnt to play the violin and the piano.

In June 1931, Nie Er entered the "Mingyue Musical Drama Society" as a violinist. In July 1932 he published A Short Treatise on Chinese Song and Dance, in which he criticised the Drama Society's president, Li Jinhui, as a result of which he was forced to leave the society. Prior to joining the Lianhua Film Studio on November 1932, he took part in shaping the Bright Moonlight Song and Dance Troupe. He later joined the musical group of the "Friends of the Soviet Union Society". He also organised the "Chinese Contemporary Music Research Group", which participated in the Leftist Dramatist's Union. In 1933, Nie Er joined the Communist Party of China.

In April 1934, Nie Er joined the Baak Doi record company and managed the musical section. In the same year he founded the Pathé National Orchestra. This was a prolific year for Nie Er in terms of musical output. In early 1935, he composed the March of the Volunteers. In January 1935 Nie Er became the director of the musical department of Lianhua Number Two Studio.

On July 17, 1935, he drowned while swimming in Japan, at the age of 23. He might have been en route to the Soviet Union, passing through Japan to receive training, sent by the Chinese Communist Party. Some suspect that he was killed by Japanese right-wing radicals. Others suspect that he was killed by Chinese Nationalists, as he was in Japan to flee from them. However, as he disappeared while swimming with his friends, killing him was difficult, and swimming in mid-July is a bit early there, so he most likely drowned. He was found by the local rescue team the following day. According to them and the police, the condition from his body was not different from that of ordinary drowned bodies.

Nie Er wrote a total of 37 pieces in his life, all in the two years before his death. A significant proportion of these songs reflected working class life and struggles. He often collaborated with lyricist Tian Han.

Galician Anthem Composer and Lyricist on a Special FDC Cancel

Pascual Veiga Iglesias ( April 9 of 1842 - Madrid , July 12 of 1906 ) was a musician, musical director, organist and composer of the National Anthem of Galicia.

Veiga started his musical studies as a child in the choir of the Cathedral Mindoniense. At thirteen he began to teach music theory and harmony in the chapel of the cathedral. In 1964 he moved to La Coruña and served as organist of the Church of Our Lady of the Field. In 1865 he was appointed vice president of Section Music Society Youth Fraternity. His dedication to music led him to win a prize in 1877 with the Glee Club Bragantino. He left year later, and founded the Glee Club Corunna. In 1880 he was invited by the Society of Floral Games of Pontevedra , and premiered his most emblematic work, the Alborada Gallega. Two years later he founded El Nuevo Orfeon, which soon became known as el Orfeon Echo, and that continues today. In 1889 he founded the Choral Society called Corunna Number 4, a group that won the gold medal and the Academic Palms during the Universal Exhibition of Paris of 1889. In 1896 he was living in Madrid, where he works as director of the Centro Galego Matritense Choir and at the same time developing the teaching at the National Conservatory of Music. He was also organist at the Church of St. Dominic of Betanzos and Collegiate A Coruña.

He died in 1906 in Madrid, and in 1912 his remains were transferred to Mondoñedo to be buried in a mausoleum dedicated by his admirers and friends. Six months after his death, the Galician Center Gran Teatro of Havana premiered ' The Pin , poem by Eduardo Pondal put in music by Veiga, who later was considered the anthem of Galicia.

Above is a FDC with a special cancel featuring the Galician anthem composer Pascual Veiga and lyricist Eduardo Pondal

Rota- Anthem of the Polish National-Territorial Region

The Polish National-Territorial Region (Polish: Polski Kraj Narodowo-Terytorialny) was an autonomous region in Lithuania, self-proclaimed by the local Poles on 6 September 1990. The region included areas surrounding Vilnius, capital of Lithuania, where Poles formed the majority (60–90%). This Eastern part of Lithuania had been part of Poland (from 1922) before being attached to Lithuania under the Mutual Assistance Treaty with the Soviet Union in 1939.

The autonomy region with capital in Naujoji Vilnia included 4,930 km² and population of 215,000 (66% of them Poles). The Polish autonomous movement was related to the Yedinstvo movement and had tacit support from Moscow (thus, when following the Act of the Re-Establishment of the State of Lithuania the Soviets applied a blockade against Lithuania, the areas of Eastern Lithuania with significant minority population were mostly spared of the blockade, with the aim of gaining minorities' support for Moscow). In the region, the Polish Red-and-White flags were used as official flag and Rota was used as an anthem in the region.

Rota's lyrics were written in 1908 by Maria Konopnicka. The music was composed two years later by Feliks Nowowiejski. Konopnicka's poem came into being as a protest against the German Empire's oppression and suppression of Polish culture in German-occupied western Poland — lands that from the late 18th century after the Partitions of the Polish-Lithuanian Commonwealth to 1918 were under Prussian — and later, German — rule.

Rota was first sung publicly during a patriotic demonstration in Kraków on July 15, 1910, held to commemorate the 500th anniversary of the Polish-Lithuanian victory over the Teutonic Knights at the Battle of Grunwald. The anthem quickly became popular across partitioned Poland. Until 1918, Rota served as the anthem of the Polish Scouting movement. After Poland regained independence in 1918, Rota, in 1927, found itself under consideration for a time as a possible Polish national anthem.

The Lithuanian government declared the formation of the Polish autonomous district in Lithuania unconstitutional. After the August Coup of the Soviet hardliners had failed, the Lithuanian parliament suspended on 3 September 1991 the democratically elected local councils that had sought autonomy or secession from Lithuania, thus abolishing the anthem.

Above is a FDC of the composer of Rota, Feliks Nowowiejski, issued by Poland in 2010

The New National Anthem of Libya

Libya, Libya, Libya (also known as Ya Beladi, "Oh my country!"), composed by Mohammed Abdel Wahab, is the new national anthem of Libya. He also composed the music for the anthems of Tunisia and the United Arab Emirates. The anthem was used until the monarchy was abolished in a coup by Moammar Qadaffi in 1969, when it was replaced with a new anthem. It was originally the national anthem from independence in 1951 until 1969 when King Idris I was overthrown by a Coup d'état led by Muammar al-Gaddafi. Gaddafi adopted the Egyptian marching song Allahu Akbar (God is Greatest) as the national anthem of the newly proclaimed Libyan Arab Republic. The anthem was a Muslim call to prayer and a statement of faith composed by Abdalla Shams El-Din and lyrics written by Mahmoud El-Sherif.

During the 2011 Libyan civil war, Libya, Libya, Libya was declared the new national anthem and restored by the transitional government.

Above is a first day cover of the Libyan anthem composer Mohammed Abdel Wahab issued by Egypt.

Kazach Anthem Composers- Mukan Tulebayev, Eugeny Brusilovsky and Latif Khamidi on Stamps and Postcard

The national anthem of the Republic of Kazakhstan or National Anthem of the Republic of Kazakhstan was the title of the old national anthem of Kazakhstan, when it was adopted as the anthem from 1992 to early 2006. Upon independence in December 1991, the melody of the Kazakh SSR anthem, composed by Mukan Tulebayev, Eugeny Brusilovsky and Latif Khamidi, was retained; and new lyrics were adopted in 1992, written by Muzafar Alimbayev, Kadyr Myrzaliyev, Tumanbai Moldagaliyev and Zhadyra Daribayeva.

On January 7, 2006, "My Kazakhstan", written in 1956, was adopted as the new anthem, with modified lyrics.

We are a valiant people, sons of honor,
And all we've sacrificed to gain our freedom.
Emerging from malicious grip of fate, from hell of fire,
We scored a victory of glory and success.

Chorus:
Soar high up in the sky, oh, eagle of freedom,
Call up to harmony, agreement and accord!
For hero's might and strength is in the nation,
Just as the unity is nation's razing sword.

While honoring our mothers and respecting
The cream of cream of our rising nation
We welcomed all ill-starred and struck by ruin...
Our homeland, the steppe, a sacred cradle
Of friendship and accord
Gave all a shelter and a hearty refuge.

Chorus:

We've overcome the hardships
Let the past serve bitter lesson
But ahead we face a radiant future.
We bequeath our sacred legacy implying our mother tongue
And sovereignty and valour and traditions
So dearly cherished by our forefathers
As true mandate to future generations.

Dobri Hristov and the Bulgarian National Anthem

Mila Rodino ("Dear Motherland") is based on the music and text of the song Gorda Stara Planina ("Stately Stara Planina") composed by a 22-year old student, Tsvetan Radoslavov, as he left home to fight in the Serbo-Bulgarian War in 1885. Stara Planina is the traditional Bulgarian name of the Balkan mountains, extending 560 km from East Serbia, through central Bulgaria to the Black Sea. Radoslavov was born in Svishtov in 1863, and he later graduated in philosophy in Leipzig. His original song, Gorda Stara Planina was adapted by the composer Dobri Hristov in 1905 and became the national anthem of Bulgaria in 1963, replacing the previous anthem, "Balgariyo Mila" (Dear Bulgaria) composed by Georgi Zlatev-Tscherkin, Svetoslav Obretenov and Georgi Dimitri. Radoslavov was also a well-known scientist in Bulgaria and despite invitations to work in Vienna, Leipzig and Prague, he returned to Bulgaria to teach European and ancient languages, psychology, ethics and logic at the Third High School for Boys in Sofia.

Incidentally, Dobri Hristov (1875-1941) was one of the most important Bulgarian composers of the 20th century. Born in Varna, Bulgaria, he graduated from the Prague Conservatory in 1903 (the director at the time was none other than Antonín Dvořák). Hristov wrote orchestral and choral works using elements of Bulgarian folklore. The text of the anthem has been changed on several occasions, most recently in 1990. Bulgaria also has a Royal anthem composed by Emanuil Manolov, and the lyrics by Major General Georgi Agura.

Above is a stamp of Dobri Hristov issued by Bulgaria in 1975 to celebrate the centennial of his birth.

Macedonian Anthem Composer,Todor Skalovski, on Stamp

Todor Skalovski (born 21 January 1909, Tetovo, Ottoman Empire – died 1 July 2004, Skopje, Republic of Macedonia) was a famous Macedonian composer, chorus and orchestra conductor.

He was the founder of the First Macedonian State Symphony Orchestra, (1945. - 1948) and was editor in chief of Radio Skopje and chief conductor Radioorkestra (1948 - 1954). He directed and conducted the Skopje Opera, since 1954 and later became the director and conductor of the Philharmonic Republic of Macedonia. His compositions were mostly vocal works. Other works include October Cantata II, Suite Baltepe, Macedonian Oro, 2 rhapsodies, Zalez, The size ANIJA (on John Kukuzela), Prispivna song. He is best known as the composer of the Macedonian anthem "Denes Nad Makedonija".

Above is a stamp of Macedonian composers born in 1909. Todor Skalovski is the composer on the left. The stamp was issued in 2009.

Spyros Samaras, Olympic Hymn Composer

Spyridon-Filiskos Samaras (also Spyros / Spiro Samara) (17 November/29 November 1861 Corfu – 25 March/17 April 1917 Athens) was a Greek composer particularly admired for his operas who was part of the generation of composers that heralded the works of Giacomo Puccini. His compositions were praised worldwide during his lifetime and he is arguably the most internationally lauded Greek composer before Dimitri Mitropoulos.

As a young man Samaras studied with Spyridon Xyndas in Corfu. From 1875-1882 he studied at the Athens Conservatory with Federico Bolognini, Angelo Mascheroni and Enrico Stancampiano. His first opera Torpillae (now lost) premiered in Athens in 1879. He went to Paris in 1882 to study at the Paris Conservatoire and became a favorite of Jules Massenet. His other instructors included Léo Delibes, Théodore Dubois, and Charles Gounod. He worked successfully as a composer in Paris for three years and then migrated to Italy in 1885.

Samaras quickly became an important figure in the opera scene in Italy. His opera Flora mirabilis première in Milan in 1886 and in 1888 Medgé was successfully staged at the Teatro Costanzi in Rome with French opera star Emma Calvé in the title role. Samaras became closely associated with Edoardo Sonzogno, a Milanese publisher. Sonzogno founded the Teatro Lirico Internazionale and chose Samaras' La martire for the theater's opening on 22 September 1894. The opera had premiered previously that year in Naples and is based on a libretto by Luigi Illica with many naturalistic elements, which gave space to Samaras musical personality for an equal treatment.

Samaras is also known for composing the Olympic Anthem, the words of which were contributed by Kostis Palamas. The Anthem was first performed during the opening ceremony of the 1896 Summer Olympics, the first modern Olympic Games. It was declared the official anthem of the Olympic movement by the International Olympic Committee in 1958 and has been used at every Olympic opening ceremony since the 1960 Winter Olympics.

The stamp above of Olympic hymn composer, Spyros Samaras was issued by Greece on 2011.

The National Anthem of Malaysia

Before independence in 1957, each of the (then) eleven states of Malaysia had their own anthem (which they have retained to this day), but there was no unifying anthem for the whole country. When independence was approaching, Tunku Abdul Rahman, then the Chief Minister and Minister for Home Affairs (later Malaysia's first prime minister), led a committee to select a new anthem. Hundreds were recieved, but none were deemed suitable. Finally, the anthem for the Malaysian state of Perak was considered, and the melody, due to its "traditional flavour" was selected to be the melody for the new anthem.

In 1888 the Sultan of Perak was invited by Queen Victoria as a guest. When the Sultan's aide was asked what the anthem of Perak was, so that it could be played upon his formal arrival, the aide, not wanting to be embarrassed by saying that Perak did not have an anthem, perhaps giving the impression that his country was "backwards", proceeded to hum a favourite tune of his from the Seychelles, which is believed to have been composed by Pierre Jean Beranger. It was, therefore, from that moment on, the tune for the state anthem of Perak (and later Malaysia).

After an Indonesian opera performed it in Singapore (at the time, part of Malaysia), the tune became popular throughout all of Malaysia in the 1920s and 1930s as the love song "Terang Bulan" (Moonlight).Once the melody was selected, new lyrics had to be written for it. The panel of judges charged with selecting a new anthem wrote the lyrics, with Tunku Abdul Rahman leading the group. The anthem was entitled "Negara Ku" (My Country).

The stamp above features Jean Beranger, the anthem composer. Below is Abdul Rahman, the lyricist.

Georgi Dimitri and "Balgariyo Mila"

Bulgaria, "Balgariyo Mila" (Dear Bulgaria) was the National anthem of Bulgaria in use from 1950-1964. The words were written by Nikola Furnadshiev, Mladen Issaev and Elisaveta Bagrjana and set to music by Georgi Zlatev-Tscherkin, Svetoslav Obretenov and Georgi Dimitri.

Once Communist rule was secured in Bulgaria, "Balgariyo mila" was introduced as the national anthem. Interestingly, the anthem was replaced in 1964 while the Communists were still in power. One of the composers of the music, Georgi Dimitrov (not to be confused with the Communist leader of the time with the same name) also wrote the previous anthem.

Georgi Dimitri (born June 18, 1882, Kovachevtsi, Bulg. — died July 2, 1949, near Moscow, Russia, U.S.S.R.) was a Bulgarian communist leader. He helped found the Bulgarian Communist Party in 1919. After leading a communist uprising in 1923 that provoked fierce government reprisals, he was forced to live abroad and became head of the central European section of the Com-intern in Berlin (1929 – 33). He won worldwide fame for his defense against Nazi accusations in the Reichstag fire trial of 1933. He headed the Comintern in Moscow (1935 – 43), then returned to Bulgaria, where he served as prime minister (1945 – 49). He effected the communist consolidation of power that formed the Bulgarian People's Republic in 1946.

The stamps above features Dimitri Georgi, one of the Bulgarian composers of the anthem in use from 1959-1964. It was issued on 1949, the year of his death.

Unexpected Music Stamps on an Envelope

It is always a delight to receive mail from friends and sellers with your thematic stamp posted on the envelope.

I once received a letter from Slovakia with a stamp of Beethoven on it; I was truly thankful to the sender. He may even be unaware of what he has done, especially if someone else mailed the letter for him. I was also pleasantly surprised when a letter from Macedonia had not one, but two stamps of Chopin on the envelope. I ordered an envelope with a cancel of the Macedonian anthem, and I got an added bonus of two stamps. I have not thanked him so I’ll thank him now- thank you sir! Good sellers should consider the thematic collections of buyers and should post stamps related to their collection if it is available.

The joy of philately is in the searching, anticipating and acquiring of one’s want list. The wait is even better than the actual acquisition. Sometimes, when a collection is almost complete, collectors feel a sense of melancholia, that there is nothing more to collect- as in the case of my Beethoven collection. If new stamps of the thematic collection are issued, then the flames of excitement are re-ignited.

The envelope above is from Macedonia with two stamps of Chopin, the poet of the piano.

The Sixth Floor Museum, JFK and Assassinated Composers and Lyricist

Today marks the 47th anniverary of the assassination of John F. Kennedy, the thirty-fifth President of the United States, which took place on Friday, November 22, 1963, in Dallas, Texas, at 12:30 p.m. in Dealey Plaza. Kennedy was fatally shot while riding with his wife Jacqueline in a Presidential motorcade. God bless his soul...

I was fortunate to have visited the The Sixth Floor Museum at Dealey Plaza in Dallas Texas which is located on the sixth and seventh floors of an early 20th-century warehouse known in 1963 as the Texas School Book Depository. Opened on Presidents Day 1989, the Museum has since welcomed more than 6 million visitors from around the world—people of all ages seeking information and understanding about the assassination of President John F. Kennedy. The museum tours are self-guided. After the tour, JFK memorabilia is sold at the museum store near the entrance. I was able to get a sticker magnet which showed JFK on a postage stamp.

An assassination is the targeted killing of a public figure, usually for political purposes. Assassinations may be prompted by religious, ideological, political, or military reasons. Additionally, assassins may be motivated by financial gain, revenge, or personal public recognition. Assassination may also refer to the government-sanctioned killing of opponents or to targeted attacks on high-profile enemy combatants.

In figurative language usage, the word assassination may also be used in colloquial speech as a hyperbole, as in the phrase "character assassination", meaning an attempt to impugn another character, and thus kill ("assassinate") his reputation and credibility.

The word assassin is derived from the Arabic word Hashshashin, referred to the Persian designation of the Nizari branch of the Ismā'īlī Shia under the instruction of Hassan aṣ-Ṣabbaḥ during the Middle Ages. They were active in the fort of Alamut in Iran from the eighth to the fourteenth centuries. This group killed members of the Arab Abbasid, Seljuq and crusaders élite for political and religious reasons, but mostly targeted the knights Templar and the ruling Sunni kings in the name of the Fatimid Shia Sultans of Egypt. Later, after Egypt became Sunni during the campaigns of Saladin, Assassins continued on their own account.

The earliest known literary use of the word assassination is in Macbeth by William Shakespeare (1605).

Some of the anthem composers who were killed, shot or assassinated include Thomas Sankara (Burkina Faso), Amilcar Cabral (Guinea-Bissau), Juan Jose Landaeta, Nie Er of China (suspected- drowning) and Barthelemy Boganda of Central African Republic (suspected- plane crash).

The stamp above was issued by Niger in 1998 to commemorate John F. Kennedy's assassination.

"Il Canto degli Italiani" (The Song of the Italians)

"Il Canto degli Italiani" (The Song of the Italians) aka "Fratelli D'Italia" (Brothers of Italy), Mameli's Hymn, is the National anthem of Italy.

Il Canto degli Italiani (The Song of the Italians) is the Italian national anthem. It is best known among Italians as L'Inno di Mameli (Mameli's Hymn) and often referred to as Fratelli d'Italia (Brothers of Italy), from its opening line.

The words were written in the autumn of 1847 in Genoa, by the then 20-year-old student and patriot Goffredo Mameli, in a climate of popular struggle for unification and independence of Italy which foreshadowed the war against Austria.

Two months later, they were set to music in Turin by another Genoese, Michele Novaro. The hymn enjoyed widespread popularity throughout the period of the Risorgimento and in the following decades.

After unification (1861) the adopted national anthem was the Marcia Reale, the Royal March (or Fanfara Reale), official hymn of the royal house of Savoy composed in 1831 to order of Carlo Alberto di Savoia. The Marcia Reale remained the Italian national anthem until the birth of the republic.

Giuseppe Verdi, in his Inno delle Nazioni (Hymn of the Nations), composed for the London International Exhibition of 1862, chose Il Canto degli Italiani – and not the Marcia Reale – to represent Italy, putting it beside God Save the Queen and the Marseillaise.

In 1946 Italy became a republic, and on October 12, 1946, Il Canto degli Italiani was provisionally chosen as the country's new national anthem. This choice was made official in law only on November 17, 2005, almost 60 years later.

The postal card above shows the score and lyrics of the National anthem of Italy.

Korean Anthem Composer in Meter Cover

The National anthem of South Korea is called 'Aegukga' which literally means "The Song of Love for the Country". Even though Aegukga is sung as the national anthem, the song has not yet achieved official status. The music of the National anthem of South Korea was composed by Ahn Eaktay but there is no surety about who actually wrote the lyrics of the anthem. Some believe that the lyrics were written either by Yun Chiho, a politician or by An Chang-Ho, pro-independence leader and educator.

The original lyrics of the national anthem was probably written around 1907 in order to boost a spirit of loyalty and independence, as the nation encountered threats of foreign assault. Over the years, the lyrics have been revised by various leaders and evolved into what is sung today. Initially the anthem was sung to the tune of the Scottish folk song, Auld Lang Syne, taught by the American missionaries. However, a Korean composer named Ahn Eak-Tai considered it inappropriate to use the tune of another country's folk song and therefore composed a new tune. The new tune was adopted by the government in exile and since the founding of the Republic of Korea in 1948; Koreans have sung the Aegukga to the new music at all official events.

Three years following the liberation from Japanese rule, the new 'Aegukga' was adopted under the Presidential Decree of 1948, by the then President Syngman Rhee. The National anthem of South Korea consists of four verses with chorus, although only the first verse and chorus are generally sung. The anthem is a national symbol of South Korea which has been sung by Koreans for almost a century, to commemorate the patriotism of the nation's ancestors.

Above is the Korean anthem composer Ahn Eak-tai in meter cover in 2006.

National Anthem of Manchukuo Empire

The Manchu State (Manchukuo, Manshūkoku) was a puppet state in Manchuria and eastern Inner Mongolia. The region was the historical homeland of the Manchus, who founded the Qing Dynasty of China. In 1931, the region was seized by Japan following the Mukden Incident and in 1932, a puppet government was created, with Puyi, the last Qing emperor, installed as the nominal regent and emperor.

In 1934, Manchukuo became an empire ("The Great Manchu Empire") and the new emporer, Henry Puyi (it was under his reign in China that the "Gong Jin'ou" anthem was written) comissioned a new anthem, "Mǎnzhōu dìguó guógē" (National Anthem of Manchukuo Empire) to be written by Zheng Xiao-xun, the same person who wrote the previous Manchurian anthem. The Japanese wished for the anthem to be translated into Japanese, so that both Chinese and Japanese could sing the anthem, but Zheng died in 1938. The new anthem was eventually adopted in 1942 and was in use until 1945. The composer of the anthem was Kosaku Yamada.

Kosaku Yamada (9 June 1886 - 29 December 1965) was a Japanese composer and conductor.

In many Western reference books his name is given as Kósçak Yamada. During his music study in the Imperial German capital of Berlin from 1910-13 he hated the moment when people laughed at him because his "normal" transliteration of his first name "Kosaku" sounded like the Italian "cosa" meaning "what" or "thing" + the German "Kuh" meaning "cow"; which resulted in his choosing a somewhat fanciful transliteration of Kósçak Yamada ever since. Yamada was born and died in Tokyo.

After studying at the Tokyo Music School, he left Japan for Germany where he enrolled in the Berlin Hochschule and learnt composition, before going to the USA for two years. Yamada left about 1600 pieces of music. Especially, songs (Lieder) amount to 700 pieces of music excluding songs for schools, municipalities and companies. They were performed and recorded by many singers which include Kathleen Battle, Ernst Haefliger and Yoshikazu Mera. His opera Kurofune (The Black Ships) is regarded as one of the famous Japanese operas.

As a conductor, Yamada made an effort to introduce many orchestral works to Japan. He was the first performer in Japan of Debussy's Prélude à l'après-midi d'un faune, Dvořák's Symphony No. 9, Gershwin's An American in Paris, Mosolov's Iron Foundry, Sibelius' Finlandia, Shostakovich's Symphony No. 1, Johann Strauss II's An der schönen blauen Donau, and Wagner's Siegfried Idyll.

The postal card above features a special postmark to commemorate the 100th birth anniversary of Manchukuo empire anthem composer Kosaku Yamada (1886-1986).

The National Anthem of the United Arab Emirates

The United Arab Emirates (UAE) is a federation of seven emirates situated in the southeast of the Arabian Peninsula in Southwest Asia on the Persian Gulf, bordering Oman and Saudi Arabia. The UAE consists of seven states, termed emirates, which are Abu Dhabi, Dubai, Sharjah, Ajman, Umm al-Quwain, Ras al-Khaimah and Fujairah. The capital and second largest city of the United Arab Emirates is Abu Dhabi. It is also the country's center of political, industrial and cultural activities.

Before 1971, the UAE were known as the Trucial States or Trucial Oman, in reference to a nineteenth-century truce between Britain and several Arab Sheikhs. The name Pirate Coast was also used in reference to the area's emirates in the 18th to early 20th century. The political system of the United Arab Emirates, based on the 1971 Constitution, comprises several intricately connected governing bodies. Islam is the official religion and Arabic is the official language.

The United Arab Emirates has the world's sixth largest oil reserves and possesses one of the most developed economies in the Middle East. It is currently the thirty-sixth largest economy by nominal GDP, and is one of the richest countries in the world by per capita gross domestic product, with a nominal per capita GDP of $54,607 as per the IMF. The country is fourteenth largest in purchasing power per capita and has a relatively high Human Development Index for the Asian continent, ranking 31st globally. The United Arab Emirates is classified as a high income developing economy by the IMF.

The United Arab Emirates is a founding member of the Cooperation Council for the Arab States of the Gulf, and a member state of the Arab League. It is also a member of the United Nations, Organisation of the Islamic Conference, the OPEC, and the World Trade Organization.

The national anthem of the UAE, "Ishy Bilady" (Long Live My Nation) was without words (and a classic example of the style of anthem known as "Arab fanfare") until 1996, when words were written for it by Aref Al Sheikh Abdullah Al Hassan. The author of the music, Mohamad Abdel Wahab, also composed the music for the national anthem of Tunisia and the royal anthem of Libya (in use 1951-1969).

The souvenir sheet above featured the score of the national anthem issued in 1996 during the Silver Jubilee National Day of the UAE