Stamps from Suzhou

I got hold of this wonderful tri-fold stamp set from Suzhou post inside the Humble Administrator's Garden  for 75 Yuan.  The first set of four stamps features the land and waters-capes of the garden, the middle set portrays the art of Suzhou and the miniature set shows an example of the flora of the garden.  The garden had a long history of destruction and modification, changing under several owners  (at least 7 times) along the way until inscribed as a UNESCO world heritage site in 1997.

On the Zhuozhengyuan's site was first built a garden during the Shaoxing period (1131-1162) of the Southern Song Dynasty. Afterwards it changed ownership, and was destroyed or modified continually.  It was the residence and garden of Lu Guimeng, a Tang Dynasty scholar. Later in the Yuan Dynasty it became the Dahong Temple's garden. In 1513 CE, Wang Xiancheng, an Imperial Envoy and poet of the Ming Dynasty created a garden on the site of the dilapidated Dahong Temple which had been burnt during the Ming conquest. In 1510, he retired to his native home of Suzhou under the occasion of his father's death. He had experienced a tumultuous official life punctuated by various demotions and promotions, and gave up his last official post as magistrate of Yongjia county in Zhejiang province, and began to work on the garden. This garden, meant to express his fine taste, received close attention from the renowned artist, Suzhou native, and friend, Wen Zhengming. The garden was named after a verse by the famous scholar official of the Jin Dynasty, Pan Yue, it his prose, An Idle Life, "I enjoy a carefree life by planting trees and building my own house...I irrigate my garden and grow vegetables for me to eat...such a life suits a retired official like me well."

Wang's son lost the garden to pay gambling debts, and it has changed hands many times since. In 1631 CE The eastern garden was divided from the rest and purchased by , Vice Minister of the Justice Board. He added many modifications over the next four years, finishing work in 1635 CE. After completion it was renamed Dwelling Upon Return to the Countryside. The central garden was purchased by Jiang Qi, Governor of Jiangsu in 1738 CE. After extensive renovations he renamed it Garden Rebuilt. In 1860, it became the residence of a Taiping prince, Li Xiucheng , and it was remodelled, and the current aspect of the garden is said to be inherited from this period. Also in 1738 CE the Western Garden was purchased by Ye Shikuan Chief Histographer, and renamed The Garden of Books. The Garden of Books was purchased by a Suzhou merchant, Zhang Lüqian, in 1877 CE and renamed The Subsidiary Garden. In 1949 all three parts of the garden were rejoined by the Chinese government and subsequently opened to the public, then restored in 1952. In 1997 the garden was given UNESCO World Heritage status.

Guatemalan Anthem Lyricist on Stamps

Written in response to a contest calling for a national anthem to be adopted, the first ever playing of the winning entry took place during a lyric-literary meeting taking place at the Colon Theater, the night of Sunday 14 March 1897, as one of the main events of the Central American Exposition, and the author of the music was decorated with a gold medal and honor diploma. (Ovalle had been known previously for setting to music "Himno Popular" (The People's Anthem) by the poet Ramón P. Molina. It is unclear whether the music used for Ovalle's work was the same as the music that was submitted for the national anthem competition.)

The author of the lyrics, however, was submitted anonymously, it was not until 1911, when it was discovered that the author was the Cuban poet Jose Joaquin Palma, who on his deathbed was honored with a silver wreath placed on his head, while outside the public and the bands sang the Himno Nacional. The original lyrics were modified slightly in 1934 by Professor Jose Maria Bonilla Ruano, a Spanish grammar scholar. Some verses were softened in their bloody context while others were enhanced in their poetic beauty. The anthem has four verses (including four separate choruses at the end of each verse). Unlike many other nations with multi-verse anthems, all four verses are official and sung in Guatemala. The anthem is sometimes erroneously called "¡Guatemala Feliz!" (Guatemala, Be Praised) from the opening words of the anthem, but officially there is no title and is simply referred to inside the country as "Himno Nacional". (national.anthem.info)

Yugoslavian Anthem Lyrics and Score on FDC

The National anthem of the Kingdom of Yugoslavia (Kingdom of Serbs, Croats and Slovenes 1918–1929) was created in December 1918 from the national anthems of the Kingdom's main three constituent historical provinces: Croatia, Serbia and Slovenia. In those times the official authorities considered the three nations, Croats, Serbs and Slovenes as one nation with three names. The official language was thus called the Serbo-Croato-Slovene language. Although a law on the national anthem did not exist, the anthems of all three South Slavic nations were unified into a single anthem of the Kingdom. It started with a few measures from the Serbian anthem "Bože pravde", continued with a few lines from the Croatian anthem "Lijepa naša domovino", which were in turn followed by a few lines from the traditional Slovenian anthem "Naprej zastava slave". The anthem finished with some lines from the Serbian anthem again. It was officially used between 1919 and 1941. There was no official document that declared the anthem invalid, or void. The Constitution of the Kingdom of Yugoslavia was not in effect after the April capitulation.

Ukraine Anthem Lyrics on Stamp

"Shche ne vmerla Ukraina" ("Ukraine has not yet perished") is the national anthem of Ukraine again since 1992  Before its re-adaptation a concourse for a national anthem among three patriotic songs was taken place with one of the other songs being Za Ukrainu by Mykola Voronyi. The lyrics constitute a slightly modified original first stanza of the patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer from the region of Ukraine's capital, Kiev, and were influenced by the words and themes of Poland's national anthem, Poland Is Not Yet Lost. In 1863, Mykhailo Verbytsky, a western Ukrainian composer and a Greek-Catholic priest composed music to accompany Chubynsky's text. The first choral performance of the piece was at the Ukraine Theatre in Lviv, in 1864. The song was first the national anthem of the Ukrainian People's Republic, Carpatho-Ukraine and later the independent post-Soviet Ukraine.

The stamp above was issued this year (2012) on the 20th anniversary of the anthem together with the state arms and flag.

Sierra Leone National Anthem on Stamps

Formerly a British colony, this west African nation adopted its national anthem, "High We Exalt Thee, Realm Of The Free", upon independence in 1961. The composer of the music, John Joseph Akar, was the first post independence Director of the Sierra Leone Broadcasting Service (SLBS) as well as the founder of the Sierra Leone national Dance Troupe, and the lyricist Clifford Nelson Fyle, was a professor at Fourah Bay College in Sierra Leone.

John Joseph Akar (1927–1975) was a Sierra Leone-an of Lebanese descent entertainer, writer, and diplomat. He served as Sierra Leone-an Ambassador to the United States. Today, he is probably best known for composing the music of the Sierra Leone's National Anthem.

Akar was born in the small town of Rotifunk, Moyamba District in the Southern Province of Sierra Leone, to an ethnic Sherbro mother and to a Lebanese father. Akar attended the E.U.B. primary school in Rotifunk, and proceeded to Albert Academy secondary school in Freetown. After he completed his secondary education, he moved to the United States to study commercial radio and television. In 1960, Akar became the first non-Creole and the first Sherbro to be appointed Director of Broadcasting of the Sierra Leone Broadcasting Services (SLBS).

In 1963, Akar founded the National Danced Troop. He used the group to encourage Sierra Leone-ans to be proud of the cultural heritage. In 1964, Akar and the National Dance troop were invited to the United States to perform at New York world fair. They won the best performance of the fair, and was presented with plaque. In late 1964, they performed at the art festival in London. In 1965 they performed at the Negro Arts festival in Dakar, Senegal. In 1966, they went on a four months tour of Europe, including performances in Germany, Sweden and France.

Above, flag, coat of arms and title of the national anthem on postage stamp issued in 2011. Below is the map and score of the anthem.

New Zealand's Unofficial National Anthem on Stamps?

New Zealand has honored Engelbert Humperdinck by releasing a stamp based on his song ‘Ten Guitars’. Engelbert released ‘Ten Guitars’ as a b-side in 1967. It was also on his debut album ‘Release Me’. However, despite originally be used as more filler than thriller the song took on a life of its own in New Zealand and is now considered the country's unofficial national anthem. There was even a Facebook petition to have it made the national anthem.‘Ten Guitars’ is said to be one of the most played songs at parties in New Zealand.The 60-cent ‘Ten Guitars’ stamp features in a set of Kiwiana stamps out now in New Zealand.

Engelbert Humperdinck (born Arnold George Dorsey; 2 May 1936) is a British pop singer, best known for his hits including "Release Me (And Let Me Love Again)" and "After the Lovin'" as well as "The Last Waltz" ("The Last Waltz with You").

Galician Anthem Composer and Lyricist on a Special FDC Cancel

Pascual Veiga Iglesias ( April 9 of 1842 - Madrid , July 12 of 1906 ) was a musician, musical director, organist and composer of the National Anthem of Galicia.

Veiga started his musical studies as a child in the choir of the Cathedral Mindoniense. At thirteen he began to teach music theory and harmony in the chapel of the cathedral. In 1964 he moved to La Coruña and served as organist of the Church of Our Lady of the Field. In 1865 he was appointed vice president of Section Music Society Youth Fraternity. His dedication to music led him to win a prize in 1877 with the Glee Club Bragantino. He left year later, and founded the Glee Club Corunna. In 1880 he was invited by the Society of Floral Games of Pontevedra , and premiered his most emblematic work, the Alborada Gallega. Two years later he founded El Nuevo Orfeon, which soon became known as el Orfeon Echo, and that continues today. In 1889 he founded the Choral Society called Corunna Number 4, a group that won the gold medal and the Academic Palms during the Universal Exhibition of Paris of 1889. In 1896 he was living in Madrid, where he works as director of the Centro Galego Matritense Choir and at the same time developing the teaching at the National Conservatory of Music. He was also organist at the Church of St. Dominic of Betanzos and Collegiate A Coruña.

He died in 1906 in Madrid, and in 1912 his remains were transferred to Mondoñedo to be buried in a mausoleum dedicated by his admirers and friends. Six months after his death, the Galician Center Gran Teatro of Havana premiered ' The Pin , poem by Eduardo Pondal put in music by Veiga, who later was considered the anthem of Galicia.

Above is a FDC with a special cancel featuring the Galician anthem composer Pascual Veiga and lyricist Eduardo Pondal

Dobri Hristov and the Bulgarian National Anthem

Mila Rodino ("Dear Motherland") is based on the music and text of the song Gorda Stara Planina ("Stately Stara Planina") composed by a 22-year old student, Tsvetan Radoslavov, as he left home to fight in the Serbo-Bulgarian War in 1885. Stara Planina is the traditional Bulgarian name of the Balkan mountains, extending 560 km from East Serbia, through central Bulgaria to the Black Sea. Radoslavov was born in Svishtov in 1863, and he later graduated in philosophy in Leipzig. His original song, Gorda Stara Planina was adapted by the composer Dobri Hristov in 1905 and became the national anthem of Bulgaria in 1963, replacing the previous anthem, "Balgariyo Mila" (Dear Bulgaria) composed by Georgi Zlatev-Tscherkin, Svetoslav Obretenov and Georgi Dimitri. Radoslavov was also a well-known scientist in Bulgaria and despite invitations to work in Vienna, Leipzig and Prague, he returned to Bulgaria to teach European and ancient languages, psychology, ethics and logic at the Third High School for Boys in Sofia.

Incidentally, Dobri Hristov (1875-1941) was one of the most important Bulgarian composers of the 20th century. Born in Varna, Bulgaria, he graduated from the Prague Conservatory in 1903 (the director at the time was none other than Antonín Dvořák). Hristov wrote orchestral and choral works using elements of Bulgarian folklore. The text of the anthem has been changed on several occasions, most recently in 1990. Bulgaria also has a Royal anthem composed by Emanuil Manolov, and the lyrics by Major General Georgi Agura.

Above is a stamp of Dobri Hristov issued by Bulgaria in 1975 to celebrate the centennial of his birth.