Hungarian Anthem Postcards

Anthem Covers with Special Postmarks

South African Anthem and Inauguration on Stamp

Nkosi Sikelel' iAfrika was composed in the year 1897 by Enoch Sontonga, a Methodist school teacher. It was originally sung as a church hymn but later became an act of political defiance against the apartheid government. Die Stem van Suid-Afrika is a poem written by C.J. Langenhoven in 1918 and was set to music by the Reverend Marthinus Lourens de Villiers in 1921.[2] Die Stem was the co-national anthem[3] with God Save the King/Queen from 1936 to 1957, when it became the sole national anthem until 1995. The South African government adopted both songs as national anthems from the year 1994, when they were performed at Nelson Mandela's inauguration.[4] They were merged in 1997 to form the current anthem. The new English lyrics were adapted from the last four lines of the first stanza of The Call of South Africa (the English version of Die Stem), and were modified to reflect hope in post-apartheid South African society.

The 20th Anniversary of the Restoration of State Independence of the Republic of Azerbaijan on Stamp and Souvenir Sheet

Like other republics of the Soviet Union at the time, Azerbaijan had its own anthem, which was in use until shortly after the fall of the Soviet Union in 1991. Azerbaijan was originally given an anthem in 1944, but a slight change to the lyrics came in 1978 with the removal of Stalin's name and other minor changes. The composer of the anthem's melody also wrote the music for the current Azerbaijani national anthem in 1919 before Azerbaijan became part of the Soviet Union.

On January 30, 1920, the Azerbaijan government announced a competition to create a national anthem, but in the result of the fall of Azerbaijan to the Soviet Union on April 28, 1920, the anthem was not adopted. On May 27, 1992, after the breakup of the Soviet Union, the "Azerbaijan Marsi," which was created in 1919 during the brief independence period, was approved as the State Anthem of the Republic of Azerbaijan. The composer of the anthem was Uzeyir Hajibeyov, the same person that composed the music to the anthem used by the Azerbaijan SSR.

Above is the stamp set of national symbols with the lyrics of the national anthem. Below is the souvenir sheet with the flag, map and score of the national anthem. These were issued on November 10, 2011.

Slovenian Anthem Lyrics on Stamps

"Zdravljica" was written by France Prešeren, considered as Slovenia's national poet, as a drinking song (in his original manuscript, the layout of the words resemble a wine glass), but also was seen as politically charged piece when it was written in 1844 as it spoke of pan-Slavic nationalism, which was controversial in Austria-Hungary (which Slovenia was part of at the time). It was finally published in 1848, after revolutions in Austria-Hungary lifted the censorship.

In 1905, Zdravljica was set to music for the first time, the entire poem had a choral composition composed for it by Stanko Premrl, and this was the composition chosen as the Slovenian anthem in September 1989. Six months later, it was specified that the seventh verse is the official anthem, and this remains to this day.

The block above contains the flag and some of the lyrics of the Slovenian national anthem. It was issued on 2001.

THE FDC COVER FOR SOKOL CONVENTION PRAGUE 1948 WITH CZECHOSLOVAK ANTHEM

This cover was published in Czechoslovakia in 1948 for its 11th SOKOL Convention.

"SOKOL" is a sport organization, Czechoslovak Sokol Community and Prague Sokol were played an important role by events around the foundation of the Czechoslovak Republic. This FDC includes 4 special overstamped stamps with the text:" PRAGUE 1948 Nationwide SOKOL Convention". On the cachet, we can see the words and music of Czechoslovak Anthem "Where is My Home" in Czech language. The size of the cover is 22 x 11 cm / 8.6 x 4.3 inches.

The FDC Cover for SOKOL Convention Prague 1948 with Czechoslovak Anthem and for occasional stamps.

China Anthem Composer, Ni Er, on Postcard

Nie Er (February 14, 1912 — July 17, 1935), was a Chinese composer. He is known for composing the national anthem of the People's Republic of China, the March of the Volunteers. In numerous Shanghai magazines he went by the English name "George Njal".

Nie Er's ancestors were from Yuxi, Yunnan, in southwest China. He was born in Kunming, Yunnan. From an early age Nie Er displayed an interest in music. From 1918 he studied at the Kunming Normal School's Associated Primary School. In his spare time, he learnt to play traditional instruments such as the dizi, erhu, sanxian, and yueqin, and became the conductor of the school's Children's Orchestra. In 1922 he entered the Private Qiushi Primary School (Senior Section), and in 1925 entered Yunnan Provincial Number One Combined Middle School.

In 1927 Nie Er graduated from Yunnan Provincial Number One Combined Middle School, and entered Yunnan Provincial Number One Normal School. At school, he participated in the Book Club, and organised the "Nine-Nine Music Society", which performed within the school and outside. During this time, he learnt to play the violin and the piano.

In June 1931, Nie Er entered the "Mingyue Musical Drama Society" as a violinist. In July 1932 he published A Short Treatise on Chinese Song and Dance, in which he criticised the Drama Society's president, Li Jinhui, as a result of which he was forced to leave the society. Prior to joining the Lianhua Film Studio on November 1932, he took part in shaping the Bright Moonlight Song and Dance Troupe. He later joined the musical group of the "Friends of the Soviet Union Society". He also organised the "Chinese Contemporary Music Research Group", which participated in the Leftist Dramatist's Union. In 1933, Nie Er joined the Communist Party of China.

In April 1934, Nie Er joined the Baak Doi record company and managed the musical section. In the same year he founded the Pathé National Orchestra. This was a prolific year for Nie Er in terms of musical output. In early 1935, he composed the March of the Volunteers. In January 1935 Nie Er became the director of the musical department of Lianhua Number Two Studio.

On July 17, 1935, he drowned while swimming in Japan, at the age of 23. He might have been en route to the Soviet Union, passing through Japan to receive training, sent by the Chinese Communist Party. Some suspect that he was killed by Japanese right-wing radicals. Others suspect that he was killed by Chinese Nationalists, as he was in Japan to flee from them. However, as he disappeared while swimming with his friends, killing him was difficult, and swimming in mid-July is a bit early there, so he most likely drowned. He was found by the local rescue team the following day. According to them and the police, the condition from his body was not different from that of ordinary drowned bodies.

Nie Er wrote a total of 37 pieces in his life, all in the two years before his death. A significant proportion of these songs reflected working class life and struggles. He often collaborated with lyricist Tian Han.

Rota- Anthem of the Polish National-Territorial Region

The Polish National-Territorial Region (Polish: Polski Kraj Narodowo-Terytorialny) was an autonomous region in Lithuania, self-proclaimed by the local Poles on 6 September 1990. The region included areas surrounding Vilnius, capital of Lithuania, where Poles formed the majority (60–90%). This Eastern part of Lithuania had been part of Poland (from 1922) before being attached to Lithuania under the Mutual Assistance Treaty with the Soviet Union in 1939.

The autonomy region with capital in Naujoji Vilnia included 4,930 km² and population of 215,000 (66% of them Poles). The Polish autonomous movement was related to the Yedinstvo movement and had tacit support from Moscow (thus, when following the Act of the Re-Establishment of the State of Lithuania the Soviets applied a blockade against Lithuania, the areas of Eastern Lithuania with significant minority population were mostly spared of the blockade, with the aim of gaining minorities' support for Moscow). In the region, the Polish Red-and-White flags were used as official flag and Rota was used as an anthem in the region.

Rota's lyrics were written in 1908 by Maria Konopnicka. The music was composed two years later by Feliks Nowowiejski. Konopnicka's poem came into being as a protest against the German Empire's oppression and suppression of Polish culture in German-occupied western Poland — lands that from the late 18th century after the Partitions of the Polish-Lithuanian Commonwealth to 1918 were under Prussian — and later, German — rule.

Rota was first sung publicly during a patriotic demonstration in Kraków on July 15, 1910, held to commemorate the 500th anniversary of the Polish-Lithuanian victory over the Teutonic Knights at the Battle of Grunwald. The anthem quickly became popular across partitioned Poland. Until 1918, Rota served as the anthem of the Polish Scouting movement. After Poland regained independence in 1918, Rota, in 1927, found itself under consideration for a time as a possible Polish national anthem.

The Lithuanian government declared the formation of the Polish autonomous district in Lithuania unconstitutional. After the August Coup of the Soviet hardliners had failed, the Lithuanian parliament suspended on 3 September 1991 the democratically elected local councils that had sought autonomy or secession from Lithuania, thus abolishing the anthem.

Above is a FDC of the composer of Rota, Feliks Nowowiejski, issued by Poland in 2010

Macedonian Anthem Composer,Todor Skalovski, on Stamp

Todor Skalovski (born 21 January 1909, Tetovo, Ottoman Empire – died 1 July 2004, Skopje, Republic of Macedonia) was a famous Macedonian composer, chorus and orchestra conductor.

He was the founder of the First Macedonian State Symphony Orchestra, (1945. - 1948) and was editor in chief of Radio Skopje and chief conductor Radioorkestra (1948 - 1954). He directed and conducted the Skopje Opera, since 1954 and later became the director and conductor of the Philharmonic Republic of Macedonia. His compositions were mostly vocal works. Other works include October Cantata II, Suite Baltepe, Macedonian Oro, 2 rhapsodies, Zalez, The size ANIJA (on John Kukuzela), Prispivna song. He is best known as the composer of the Macedonian anthem "Denes Nad Makedonija".

Above is a stamp of Macedonian composers born in 1909. Todor Skalovski is the composer on the left. The stamp was issued in 2009.

The Official Anthem of the Free State of Bavaria in FDC

The Bayernhymne (Hymn of Bavaria) is the official anthem of the Free State of Bavaria.

The melody of the song was written by Max Kunz in 1835. The text for the original first three stanzas was written by Michael Öchsner. Both men were members of the Bürger-Sänger-Zunft München (Citizen-Singers-Guild Munich), that first performed the song on December 15, 1860. In 1946, the poet Joseph Maria Lutz wrote a new third stanza as a replacement for the 'Königsstrophe' (King's Stanza), since after the abdication of King Ludwig III in 1918, Bavaria has been without a king. He also replaced the 'Deutsche Erde' (German earth) in the first stanza with 'Heimaterde' (native soil).

In 1946, it was also officially recognized as the national anthem of Bavaria, and on July 29, 1966, the then prime minister of Bavaria, Alfons Goppel, chose the version written by Joseph Maria Lutz to be the official version. In 1980, the Bavarian minister-president Franz Josef Straub, changed the official version to contain just the first two stanzas and switched 'Heimaterde' back to 'Deutsche Erde'.

The song, like most national anthems, contains many symbolic representations, including repeated allusions to the colors white and blue, Bavaria's national colors, especially describing Bavaria's Himmel, which can refer to both sky and heaven.

The First Day Cover above features Max Kunz, the composer of the Bavarian Hymn issued by Germany in 2010, the 150th Anniversary.

The 2011 PPO Season Concert VIII: Poom and Mahler I

For the closing concert of the 28th concert season of the Philippine Philharmonic Orchestra, at the Cultural Center of the Philippines (CCP) theater, Maestro Olivier Ochanine and the orchestra welcome pianist Poom Prommachart, 1st Prize winner in the 2010 Isidore Bajik International Piano Competition to perform Rachmaninoff's 3rd Piano Concerto. Also on the programme, which rounds up Maestro Ochanine inaugural season with the orchestra, the First symphony of Gustav Mahler will be performed. Mahler was nearly thirty years old by the time he finished his very first symphony, and the work shows musical maturity and expertise at orchestration quite well. This work is a rousing finale for the end of the Philippine Philharmonic Orchestra season.

Gustav Mahler (7 July 1860 – 18 May 1911) was a late-Romantic Austrian-Bohemian composer and one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.

The stamp above features Gustav Mahler issued by Austria in 2010.

The Stamp Shops of Bangkok, Thailand

Thailand, the darling of tourism in Asia with over 15 million visitors yearly, surely knows how to tickle the fancy of its visitors. Anything the tourists wants, they can surely offer. Where can one see stamp shops inside a mall- only in Bangkok. In fact I was able to see two of these shops in the four malls I visited. These were located in the Pratunam district- the MBK Mall and the Siam Discovery Mall. The small but compact stamp shop of MBK mall was located at the first floor. I was here seven years ago and I was glad and relieved that it was still there after all these years. It has all the issued Thai stamps. Here, I met an Australian stamp collector specializing stamps from Thailand and Nepal. I was able to purchase the World Congress of Gastroenterology stamp and first day cover issued in 2002 and the block featuring a Thai violinist. At the fourth level of the Siam Discovery Mall, one can seen the House of Stamps. They had several stamps from other countries. I was able to obtain the Classic Album Covers sheet and some latin music stamps.

The National Anthem of Malaysia

Before independence in 1957, each of the (then) eleven states of Malaysia had their own anthem (which they have retained to this day), but there was no unifying anthem for the whole country. When independence was approaching, Tunku Abdul Rahman, then the Chief Minister and Minister for Home Affairs (later Malaysia's first prime minister), led a committee to select a new anthem. Hundreds were recieved, but none were deemed suitable. Finally, the anthem for the Malaysian state of Perak was considered, and the melody, due to its "traditional flavour" was selected to be the melody for the new anthem.

In 1888 the Sultan of Perak was invited by Queen Victoria as a guest. When the Sultan's aide was asked what the anthem of Perak was, so that it could be played upon his formal arrival, the aide, not wanting to be embarrassed by saying that Perak did not have an anthem, perhaps giving the impression that his country was "backwards", proceeded to hum a favourite tune of his from the Seychelles, which is believed to have been composed by Pierre Jean Beranger. It was, therefore, from that moment on, the tune for the state anthem of Perak (and later Malaysia).

After an Indonesian opera performed it in Singapore (at the time, part of Malaysia), the tune became popular throughout all of Malaysia in the 1920s and 1930s as the love song "Terang Bulan" (Moonlight).Once the melody was selected, new lyrics had to be written for it. The panel of judges charged with selecting a new anthem wrote the lyrics, with Tunku Abdul Rahman leading the group. The anthem was entitled "Negara Ku" (My Country).

The stamp above features Jean Beranger, the anthem composer. Below is Abdul Rahman, the lyricist.

Malagasy Republic Anthem on Maximum Card

The first anthem of the Malagasy Republic (Madagascar), located in a book of national anthems from 1890, was used while Madagascar was a kingdom (known as Imerina), until the French protectorate began in 1896. The anthem mentions Queen Ranavalona; Ranavalona III was the last Queen of Madagascar, ruling from 1883 until the French colony was established (before her, from 1868-1883, was Ranavalona II); it is presumed that, if the anthem predates the rule of Ranavalona II and III, that the lyrics may have been altered to mention the current ruler's name (in much the same fashion as the Austro-Hungarian anthem was).

1. Andriamanitra ô!
Tahionao ny Mpanjakanay,
Dia Ranavalona:
Ho ela velona
Hifaly aminao.

2. Mahery Hianao
Dia aoka ho aminy anie
Ny hasoavanao,
Hampandroso any
Ny hamarinana.

3. Ampitoero nao
Ny fanjakan’ny taniny
Izay natolotrao
Ho tsara entiny
Izay vahoakany.

The music of the present national anthem of Madagascar was composed by Norbert Raharisoa, a music teacher and professor. The words were written by Pasteur Rahajason, a priest. It was first performed in the public when Madagascar was declared an autonomous republic within the Union Francaise. The parliament officially adopted the anthem on April 27,1959. Therefore Madagascar already had a national anthem when it achieved full independence on 26th June 1960.

Levi Celerio on Stamps

Levi Celerio was a Filipino composer and lyricist, born on April 30, 1910 in Tondo, Manila, Philippines. He received a free education to the Academy of Music in Manila and became the youngest affiliate of the Manila Symphony Orchestra. He was a creative songwriter, with more than 4,000 songs to his acclaim including Filipino folk, Christmas, and love songs that are popular pieces, which many consider to be immortal. Famous for being a lyricist, his songs treasure life; express nationalistic sentiments and complete grand philosophies. At one instance or another, no Filipino can miss the song or lyrics of Levi's Christmas songs namely Pasko na Naman, Ang Pasko ay Sumapit, and Misa de Gallo. He is probably best recognized for being a leaf-player, an achievement where he was place into the Guinness Book of World Records.

The stamp above features the composer Levi Celerio playing the violin. The stamp is one in a set of 4 honoring Filipino National Artists issued on November 11, 2010.

Fr. Marcelline Jayakody and the Sri Lankan National Anthem

Fr. Marcelline Jayakody (June 3, 1902─January 15, 1998) was a well-known Sri Lankan Catholic priest, musician, lyricist, author, journalist and patriot, and an exponent of indigenous culture who, according to a former High Court Judge, directed the Catholic Church in Sri Lanka towards the mainstream of national life.

Fr. Jayakody served as the head priest in Duwa in 1939. Duwa is the Passion Play Village in Sri Lanka. A Passion Play is a religious drama of medieval origin dealing with the suffering, death, and resurrection of Jesus. Originally, the play used traditional puppets as actors for Duwa Passion play. Jayakody wrote original script for a Passion play influenced by Fr. Jacome Gonsalves and composed new hymns to the traditional "Pasan".

He is the first Catholic priest to win the "Ramon MagsaysayAward" considered the Asian Nobel Prize, (which carried along with it 20,000 US$, a Medal and a Citation) on 31st August, 1983 in Manila, Philippines. Fr. Jayakody also won the international OCIC (Catholic Film Office) and the International UNDA (Radio & Television Homage Awards) as well.

In 1949 Fr. Marcelline Jayakody was invited to train the choir for the song Namo Namo Matha for the 1st Independence commemoration as its composer Ananda Samarakone had gone abroad. Fr. Marcelline Jayakody rose to the occasion, trained the students of the Musaeus College and presented it to be acclaimed by all. There is no doubt that this wonderful performance paved the way to adopt ‘Namo Namo Matha’ as our national anthem.

Above is a stamp of Fr. Marcelline Jayakody playing the violin issued in 2005.

The Coronation Anthem of King Edward VII on Postcard

Edward VII (Albert Edward; 9 November 1841 – 6 May 1910) was King of the United Kingdom of Great Britain and Ireland and of the British Dominions and Emperor of India from 22 January 1901 until his death. He was the first British monarch of the House of Saxe-Coburg and Gotha, which was renamed the House of Windsor by his son, George V.

He was the eldest son of Queen Victoria and ascended the throne on January 22, 1901 upon Victoria's death. Born in 1841 he had to wait a long time to succeed to the throne. He married Princess Alexandra of Denmark in 1863 who bore him three sons and three daughters.

The coronation was originally scheduled for June 26, 1902, but Edward had to undergo an emergency appendectomy operation, so the coronation was postponed until August 9, 1902.

The postcard above contains the lyrics of King Edward's coronation in 1902.

The Polish National Anthem on a 1969 Scout Post Miniature Sheet

The Polish national anthem was written in July 1797 in Reggio near Bolonia by Józef Wybicki, one of the organisers of General Jan Henryk Dąbrowski's Polish Army in Italy. The theme of the original poem was a novel idea in the era of the nation state (that is, most European nations were made up of eponymous nationalities), that the nation does not need a territory to be a nation, it only needs a group of people. This idea was a timely one, as Poland had only been partitioned out of existence only two years earlier. Several more times in subsequent Polish history would an independent Polish nation appear then disappear from the map, which could explain why the song resonates with Poles even today. The original poem also mentions several Polish war heroes of the time, as well as heroes of past Polish wars; also Napoleon is mentioned, as the commanding officer of Dąbrowski and as an example to be held up.

The source of the melody is unclear; it is usually ascribed to Michal Kleofas Oginski, but this has not been determined with certainty. It is most likely based on an anonymous folk song, due to the unusual mazurka tempo (which is often played at a faster rate than most anthems); mazurkas originated in Poland and have always been heavily associated with that nation.

Its familiar mazurka melody and its message - a call to join the fight for independence - inspired numerous 19th century patriotic songs and national hymns of the Slavonic nations under foreign rule (some of which would later become Yugoslavia, which could explain the similar melody of the former Yugoslav anthem.) The opening line of the lyrics was also borrowed by Ukraine (which, of course, speaks of the Ukraine not perishing rather than Poland.) In the early years after Poland's revival in 1918, during the debate about the choice of the national anthem, several candidates were considered. On February 28, 1927 the choice of "Dąbrowski's Mazurka" as the national anthem was officially announced.

Anton Pann on Stamp and Postal Stationary Envelope

Anton Pann is generally believed to have authored the music to Deşteaptă-te, române!, Romania's national anthem. His associate Gheorghe Ucenescu is known to have arranged the melody to the lyrics of Andrei Mureşanu, but Pann's direct implication in the creative process was allegedly not confirmed by sources. According to one account, Ucenescu had used a romanza composed by Pann in 1839, in turn complimenting the lyrics of Grigore Alexandrescu. It has also been argued that the music was that of a popular lied (German song), and first published in one of Pann's manele collections. The ethnographic research carried out by Dimitrie Gusti confirmed that the same melody was being sung as a folk song by Southern Dobrujan ethnic Turks in the 1930s.

Mihai Eminescu, one of Romania's most influential poets, made a reference to Pann in his poem Epigonii (1870), which, in its opening verses, traces the development of early literature and the impact of Romanticism. Cited alongside Dimitrie Cantemir, Dimitrie Ţichindeal, Vasile Cârlova, Ienăchiţă Văcărescu, Alexandru Sihleanu, Ion Heliade Rădulescu, Cezar Bolliac and others, Pann is referred to as the son of Pepelea, the witty hero of folk literature, and complimented with the words "as clever as a proverb". During the interwar period, the works of Anton Pann were reflected and complimented in the modernist poetic art of Ion Barbu. Barbu's Nastratin Hogea la Isarlâk uses Pann's main character to tragic effect, depicting, in willing contrast to the proverbial setting, Nastratin's violent self-sacrifice. George Călinescu noted that Pann's "mix of buffoonery and seriousness" present in the works of poet Tudor Arghezi, came "in the line of Anton Pann".

In 1945, Lucian Blaga authored a three-act play named Anton Pann, centered on the poet's Şchei period. A museum of the life and activity of Anton Pann exist in Râmnicu Vâlcea, and, since 1990, a public theater in the same city bears his name.

Shown above is the stamp and postal stationary envelope of anthem composer Anton Pann issued in 1998. Note the special cancel with the image of the composer shown (enlarged below).

The UPAEP Symbols Series 2010- The Anthem Stamp Issuing Countries

Several countries issued a postage stamp based on the theme of National Symbols, the topic for last years (2010) UPAEP series. Most of the stamps issued depicts, flags, national emblems, plants, animals, etc. Some of the countries which issued their national anthem on stamps and these include Suriname, Brazil, Cuba, Uruguay, Paraguay and Ecuador.

The Postal Union of the Americas, Spain and Portugal (UPAEP), based in Montevideo, Uruguay, is an association of postal authorities of following countries: Netherlands Antilles, Argentina, Aruba, Bolivia, Brazil, Canada, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Spain, USA, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Portugal, Dominican Republic, Surinam, Uruguay, Venezuela.

It was founded in 1911 as a restricted union of the Universal Postal Union. Since 1989, the UPAEP member countries are issuing sets of stamps based on a common theme, which always included the logo of the organization.

The Universal Postal Union (UPU, French: Union postale universelle) is an international organization that coordinates postal policies among member nations, in addition to the worldwide postal system. The UPU contains four bodies consisting of the Congress, the Council of Administration, the Postal Operations Council and the International Bureau. It also oversees two cooperatives including the Telematics and EMS Cooperatives respectively. Each member agrees to the same terms for conducting international postal duties. The UPU’s headquarters are located in Bern, Switzerland.

Shown above are the first day covers of anthem stamps from Brazil, Ecuador, Uruguay and Cuba issued in 2010