Thursday, July 16, 2009

The National Anthem of the Central African Republic

The words to "La Renaissance" were written by the nation's first president, Barthélémy Boganda and the melody was composed by Herbert Pepper, the same person who wrote the melody for the Senegalese anthem. The anthem was adopted for use in 1960.

Barthélemy Boganda (4 April 1910 – 29 March 1959) was the leading nationalist politician of what is now the Central African Republic. Boganda was active prior to his country's independence, during the period when the area, part of French Equatorial Africa, was administered by France under the name of Oubangui-Chari. He served as the first Prime Minister of the Central African Republic autonomous territory.

Boganda was born into a family of subsistence farmers, and was adopted and educated by Roman Catholic Church missionaries. In 1938, he was ordained as the first Roman Catholic priest from Oubangui-Chari. During World War II, Boganda served in a number of missions and after was persuaded by the Bishop of Bangui to enter politics. In 1946, he became the first Oubanguian elected to the French National Assembly, where he maintained a political platform against racism and the colonial regime. He then returned to Oubangui-Chari to form a grassroots movement in opposition of French colonialism. The movement led to the foundation of the Movement for the Social Evolution of Black Africa (MESAN), and became popular among villagers and the working class. Boganda's reputation was slightly damaged when he was laicized from the priesthood after marrying Michelle Jourdain, a parliamentary secretary. Nonetheless, he continued to advocate for equal treatment and civil rights for blacks in the territory well into the 1950s.

In 1958, after the French Fourth Republic began to consider granting independence to most of its African colonies, Boganda met with Prime Minister Charles de Gaulle to discuss terms for the independence of Oubangui-Chari. De Gaulle accepted Boganda's terms, and on 1 December, Boganda declared the establishment of the Central African Republic. He became the autonomous territory's first Prime Minister and intended to serve as the first President of the independent CAR. He was killed in a mysterious plane crash on 29 March 1959, while en route to Bangui. Experts found a trace of explosives in the plane's wreckage, but revelation of this detail was withheld. Although those responsible for the crash were never identified, people have suspected the French secret service, and even Boganda's wife, of being involved. Slightly more than one year later, Boganda's dream was realized, when the Central African Republic attained formal independence from France.

The National Anthem of Barbados

The Barbados national anthem was adopted upon independence on November 30, 1966. The lyrics were written by Mr. Irving Burgie, a USC music scholar who also performed music under the name Lord Burgess. When Mr. C. Van Roland Edwards composed the Music for the National Anthem he was partly blind. Because of his partial blindness he was assisted in his work by his two daughters Nannette and Eullia.

The music of the National Anthem of Barbados was composed by Mr. C. Van Roland Edwards who was partly blind at the time. Mr. Edwards who attended St. Peter's Church Boy's School was born in 1912 and had been writing music with no formal training. He was also a member of the British song society since 1933. Edwards wrote the Anthem for Barbados’ Independence in 1966 and was awarded $500 by the Government. He later died on April 22nd 1985.

Other compositions by Van Roland Edwards include: The St. Andrew Murder, The Goodman Song,The Federation Song and Welcome to her Majesty the Queen Elizabeth I. In 1967, Inspector Prince Cave of the Royal Barbados Police Band a graduate of the Royal Military School of Music, Kneller Hall, re-arranged the music of the National Anthem. He had given it more harmony while keeping the original tune.

The lyrics of the National Anthem of Barbados were written by Mr. Irvin Burgie who was born in 1926 in America. He is the product of a Barbadian mother and an American father. Burgie attended the University of Southern California where he studied music. Mr. Burgie whose stage name was Lord Burgess performed in many cities of the U.S.A and has written for a number of internationally famous artists.

Other notable songs written by Irvin Burgie: Ballad for Bimshire, Island in the Sun, and The West Indian Song Book. He is most well known for the song "Jamaica Farewell", of which he wrote the lyrics. He also wrote songs for famous International performers like Harry Belafonte, Jimmy Buffett, and Carly Simon.

Mr. Burgie is a Life Member of the NAACP and often visits Barbados where he has instituted the Irvin Burgie Literary Award for Barbadian school children.

The National Anthem of Bangladesh

Amar Shonar Bangla (My Golden Bengal) is a 1906 song written and composed by the poet Rabindranath Tagore, the first ten lines of which were adopted in 1972 as the Bangladesh national anthem.

The word shonar literally means 'made of gold', but in the song shonar Bangla may be interpreted to either express the preciousness of Bengal or a reference to the colour of paddy fields before harvest. The song was written in 1906 during the period of Bangabhanga (Bôngobhôngo - 1905 Partition of Bengal) - when Bengal was divided in two halves by the British government based on religion. This song, along with a host of others, was written to rekindle the unified spirit of Bengal.

It is said that the music of this song was inspired by the Baul singer Gagan Harkara's song "Kothay Pabo Tare".

The first 10 lines of this song constitute the national anthem of Bangladesh. It was adopted in 1972 after the independence of Bangladesh. The English translation was done by Syed Ali Ahsan. Another poem of Tagore's (Jana Gana Mana) was adopted as the national anthem of India.

Rabindranath Tagore (7 May 1861 – 7 August 1941), also known by the sobriquet Gurudev, was a Bengali polymath. He was a poet, visual artist, playwright, novelist, educator, social reformer, nationalist, business-manager and composer whose works reshaped Bengali literature and music in the late 19th and early 20th centuries. He became Asia's first Nobel laureate when he won the 1913 Nobel Prize in Literature.

A Pirali Brahmin from Calcutta, Bengal, Tagore first wrote poems at the age of eight. At the age of sixteen, he published his first substantial poetry under the pseudonym Bhanushingho ("Sun Lion") and wrote his first short stories and dramas in 1877. In later life Tagore protested strongly against the British Raj and gave his support to the Indian Independence Movement. Tagore's life work endures, in the form of his poetry and the institution he founded, Visva-Bharati University.

Tagore wrote novels, short stories, songs, dance-dramas, and essays on political and personal topics. Gitanjali (Song Offerings), Gora (Fair-Faced), and Ghare-Baire (The Home and the World) are among his best-known works. His verse, short stories, and novels, which often exhibited rhythmic lyricism, colloquial language, meditative naturalism, and philosophical contemplation, received worldwide acclaim. Tagore was also a cultural reformer and polymath who modernised Bengali art by rejecting strictures binding it to classical Indian forms. Two songs from his canon are now the national anthems of Bangladesh and India: the Amar Shonar Bangla and the Jana Gana Mana respectively.

March on Bahama Land

"March On, Bahamaland!" was selected as the winning entry in a national competition, and was adopted as anthem and official emblem on independence July 10, 1973. The winner of the competition was Timothy Gibson. As a former British colony and current Commonwealth realm, The Bahamas retains God Save the Queen as its "royal anthem" .

Timothy Gibson composer, lyricist and educator was born in Savannah Sound, Eleuthera on April 12, 1903. He received his early education in Savannah Sound, worked as a monitor from the age of 11. At the same age he went to Arthur's Town, Cat Island, to join his brother, C. I. Gibson who was a head teacher and was given a job as monitor. He kept this post until he was 17.

When his brother was transferred to Buckley's, Long Island he went with him and again worked as a monitor for one year. The following year he received a job as head teacher in Scrubb Hill, Long Island. He later came to Nassau as a student-in training at the Boys Central School which was then located in Nassau Court.

He was later transferred to the Sandilands School as acting head teacher for eight months and then to the school in George Town, Exuma, where he stayed for seven years, returning to Nassau for a refresher course at the Eastern Senior School.

Following this, he was transferred to Tarpum Bay, Eleuthera, as head teacher and remained there for seven years before coming to Nassau where he took up the post as teacher at the Western Junior School, then located on Hospital Lane.

When the new school was built on Market Street, he moved there. He left the classroom when he was given a job as supervisor of music for Government Schools. His time then was divided between the junior and senior schools where he taught music theory and singing.

In 1961 he was made Assistant Inspector of Schools for music. He worked with the Family Island Schools and also the Bahamas Teacher's College as well as with schools in New Providence.

For many years he did the adjudication for the Family Island Schools during the Annual Music Festival. Many of the songs he wrote were used in these festivals.

Mr. Gibson received most of his music training from his brother C. I. Gibson who taught him how to read music and play the organ. Apart from his brother's training, he studied music theory at Trinity College London, and attended Seminars in Delaware. He was a choral conductor accredited by the University Conservatory of Chicago through a Correspondence Course.

His song-writing career began with "Nassau Calling" in 1938. He wrote other songs such as "Sailor Prince", for the visit of Prince Philip, "Your Majesty", for the visit of Queen Elizabeth II, and "Hail Princess Britannia", for the visit of Princess Margaret. This title has since been changed to "Beautiful Bahamaland". He also wrote the National Anthem of the Bahamas "March On Bahama Land".

Lift up your head to the rising sun, Bahamaland;
March on to glory, your bright banners waving high.
See how the world marks the manner of your bearing!
Pledge to excel through love and unity.
Pressing onward, march together to a common loftier goal;
Steady sunward, though the weather hide the wide and treacherous shoal.
Lift up your head to the rising sun, Bahamaland;
Till the road you've trod Lead unto your God, March on, Bahamaland!


The Government of The Bahamas honoured this veteran educator by naming a school after him. Mr. Gibson was married to the former Miss Rosena Hilton. He died in 1979 at the age of 76.

Above, stamp of the composer, Timothy Gibson. Below, flag raising ceremony with the band playing the national anthem issued in 1983, the 10th Anniversary of Independence.

Wednesday, July 15, 2009

The National Anthem of Belize

Belize, formerly British Honduras, is a country in Central America. Belize has a diverse society, composed of many cultures and speaking many languages. Although Kriol and Spanish are also widely spoken among the populace, Belize is the only country in Central America where English is the official language. It is bordered by Mexico to the north, Guatemala to the south and west, and the Caribbean sea to the east.

Land of the Free is the national anthem of Belize. The words were written by Samuel Alfred Haynes and the music by Selwyn Walford Young in 1963. It was officially adopted in 1981.

Samuel Haynes (1899-1971) was an African Caribbean Belizean soldier, activist and poet. He was a leader of the 1919 riot by Belizean soldiers who had fought for Great Britain in World War I and refused to accept racial discrimination at home. He also wrote the lyrics of a song named ""Land of the Gods" which later became Belize's national anthem, "Land of the Free".

Also, prominent in the Garvey Movement, Samuel Haynes was once the President of the Pittsburgh Division, editor/writer for the Negro World and for a brief period the Official American Representative for the UNIA-ACL 1929 under the Honorable Marcus Garvey.

Selwyn Walford Young (1899-1977), usually known as Walford Young, was a Belizean musician and composer.

Slovenia Anthem Lyricist

A Toast (Slovene: Zdravljica) is a famous poem by France Prešeren. It was written in 1844 and has been Slovenia's national anthem since September 27, 1989. The most famous is its 7th stanza, for which Stanko Premrl composed a choral composition with the same name. Only the text of the 7th stanza comprises the anthem of Slovenia. In form, the poem is a carmen figuratum because the shape of each stanza resembles a wine cup.

France Prešeren (3 December 1800 – 8 February 1849) was a Slovene Romantic poet. He is considered the Slovene national poet. Although he was not a particularly prolific author, he inspired virtually all Slovene literature thereafter.

Today, Prešeren is still considered one of the leading poets of Slovenian literature, acclaimed not only nationally or regionally, but also according to the standards of developed European literature. Prešeren was one of the greatest European Romanticists. His fervent, heartfelt lyrics, intensely emotional but never merely sentimental, have made him the chief representative of the Romantic school in Slovenia.

Nevertheless, recognition came slow after his death. It was not before 1866 that a real breakthrough in the reception of his role in Slovenian culture took place. In that year, Josip Jurčič and Josip Stritar published a new edition of Prešeren's collection of poems. In the preface, Stritar published an essay which is still considered one of the most influential essays in Slovenian history. In it, he showed the aesthetic value of Prešeren's work by placing him in the wider European context. From then on, his reputation as the greatest poet in Slovene language was never endangered.

Prešeren's legacy in Slovenian culture is enormous. He is generally regarded as the national poet. In 1905, his monument was placed in the central square in Ljubljana, now called Prešeren Square. By the early 1920s, all his surviving work had been cataloged and numerous critical editions of his works had been published. Several scholars were already dealing exclusively with the analysis of his work and little was left unknown about his life.

In 1944, the anniversary of his death, called Prešeren Day, was declared as the Slovenian Cultural Holiday. In 1990, the seventh stanza of his Zdravljica was declared the national anthem of Slovenia, replacing the old Naprej zastava slave. In 1992, his effigy was portrayed on the Slovenian 1000 tolar banknote, and since 2007 his image is on the Slovenian two-euro coin. The highest Slovenian prize for artistic achievements, the Prešeren Award, is named after him.

Monday, July 13, 2009

The National Anthem of Ukraine

Shche ne vmerla Ukrainy" ("Ukraine's glory has not perished") is the national anthem of Ukraine. The lyrics constitute a slightly modified original first stanza of the patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer from the region of Ukraine's capital, Kiev. In 1863, Mykhaylo Verbytsky, a western Ukrainian composer and a Greek-Catholic priest composed music to accompany Chubynsky's text. The first choral performance of the piece was at the Ukraine Theatre in Lviv, in 1864. The song was first the national anthem of the Ukrainian People's Republic, Carpatho-Ukraine and later the independent post-Soviet Ukraine.

Pavlo Chubynsky (1839 - 1884) was a Ukrainian poet and ethnographer whose poem "Shche ne vmerla Ukraina" (Ukraine Has Not Yet Perished) was set to music and adapted as the Ukrainian national anthem.

In 1863 the Lviv journal Meta (The Goal) published the poem but mistakenly ascribed it to Taras Shevchenko. In the same year it was set to music by the Galician composer Michael Verbytsky (1815-1870), first for solo and later choral performance.

This song's catchy melody and patriotic text quickly gained broad acceptance, but Pavlo Chubynsky was persecuted for the rest of his life by anti-Ukrainian Russian powers. He was sent to Archangelsk province for "negatively influencing peasants' minds." When his work in that region was recognized internationally by his peers, Chubynsky was sent to Petersburg to work in the Transport Ministry as a low-level official. He eventually became paralyzed in 1880 and died four years later. In 1917 the song with his lyrics was officially adopted as the anthem of the Ukrainian state.

Above is a prestamped cover issued in 2009, of the Ukraine Hymn writer, Pavlo Chubynsky, to commemorate his 170th birth anniversary.

The Anthem of Turkmenistan

The national anthem of Turkmenistan is called the National Anthem of Independent Neutral Turkmenistan (sometimes also Independent, Neutral, Turkmenistan State Anthem, a literal translation from Turkmen). The lyrics were written by the first president of Turkmenistan, Saparmurat Niyazov (also known as Turkmenbashi, Turkmen: Türkmenbaşy). Niyazov died on 21 December 2006, and two years after his death the Parliament adopted a law that changed some of the lyrics – all references to Turkmenbashi in the anthem were replaced with the people.

Saparmurat Ataýewiç Niyazov (19 February 1940 – 21 December 2006) was a Turkmen politician who served as President of Turkmenistan from 2 November 1990 until his death in 2006. He was First Secretary of the Turkmen Communist Party from 1985 until 1991 and continued to lead Turkmenistan for 15 years after independence from the Soviet Union in 1991. He was known in English as Saparmurat Atayevich Niyazov, the romanization of the Russian spelling Сапармурат Атаевич Ниязов of his Turkmen name.

Turkmen media referred to him using the title "His Excellency Saparmurat Türkmenbaşy, President of Turkmenistan and Chairman of the Cabinet of Ministers". His title Türkmenbaşy, or Turkmenbashi, meaning Leader of Turkmens, referred to his position as the founder and president of the Association of Turkmens of the World.

Foreign media criticized him as one of the world's most totalitarian and repressive dictators, highlighting his reputation of imposing his personal eccentricities upon the country, which extended to renaming months after members of his family. Global Witness, a London-based human rights organization, reported that money under Niyazov's control and held overseas may be in excess of US$3 billion, of which $2 billion is supposedly situated in the Foreign Exchange Reserve Fund at Deutsche Bank in Germany.

Niyazov became president at the transition of Turkmenistan from a SSR in the Soviet Union to an independent state; his presidency was characterized by a number of factors: an initial crumbling inherited from the centralized soviet model that in many respects was unsuited to function as a separate entity, large amounts of foreign income from gas and petroleum reserves (~2-4billion $ as of 2005), outside concern about press freedom and to a lesser extent religious rights of minority religious groups, a personal attempt to create a background for the new state of Turkmenistan such as writing and promoting the Ruhnama, promoting native culture (and by extension prohibiting foreign culture), as well the creation of new holidays with a specific Turkmen nature.

Niyazov became a substitute for the vacuum left by the downfall of the communist system, with his image replacing those of Stalin, Marx and Lenin; this coupled with his promotion of the Ruhnama and various other decrees, as well as the doting actions of the official Turkmen media gave rise to the clear appearance of a 'cult of personality'. The eccentric nature of some of his decrees, coupled with the vast number of images of the president led to the perception , especially in western countries, of a despotic leader, rich on oil wealth glorifying himself whilst the population gained no benefit.

On December 21, 2006, Turkmen state television announced that President Niyazov had died of sudden cardiac arrest. Niyazov had been taking medication for an unidentified cardiac condition. The Turkmen Embassy in Moscow later confirmed this report.

According to the Constitution of Turkmenistan, Öwezgeldi Ataýew, Chairman of the Parliament, would assume the presidency. Deputy Prime Minister Gurbanguly Berdimuhamedow was named as head of the commission organizing the state funeral. Due to the imprisonment of Öwezgeldi Ataýew who, under the Constitution is first in line to succeed the presidency, Berdimuhamedow was named as acting president. Berdimuhamedow and the Halk Maslahaty announced on December 26 that the next presidential elections would be held on February 11, 2007.

The circumstances of Niyazov's passing has been surrounded by some media speculation, including that Niyazov had been the victim of poisoning. Some Turkmen opposition sources also claim that Niyazov died several days before the officially announced date of December 21.

The National Anthem of Mali

Le Mali (popularly known as Pour l'Afrique et pour toi, Mali – French: For Africa and for you, Mali or A ton appel Mali – French: At your call, Mali) is the national anthem of Mali. The words were written by Seydou Badian Kouyaté (stamp on the left) and the music was by Banzoumana Sissoko (stamp on the right). Adopted as the national anthem in 1962, its themes are patriotism, national, and African unity. It states the willingness of the people of Mali to lay down their lives for their nation and for liberty. A common theme throughout the song is the desire to strive for a united Africa. Its music is a traditional European style military march.

It was officially adopted less than a year after independence, in 1962. It is traditionally played at state ceremonies by the band of the Garde Républicaine of the Armed Forces of Mali. The Malian Young Pioneer movement of the 1960s translated the anthem in the Bambara language for its rallies.

Seydou Badian Kouyaté, born in 1928 was a Malian writer and politician. Born in Bamako, Kouyaté studied medicine at the University of Montpellier in France before returning to Mali. Under president Modibo Keïta, he wrote the words for Mali's national anthem, Pour l'Afrique et pour toi, Mali. In the Plan of September 17, 1962 he was named Minister of Economic and Financial Coordination; however, with the coup d'état of 1968, and the rise to the presidency of Moussa Traoré, he was deported to Kidal before being exiled to Dakar, in Senegal. Associated from its beginning with the Sudanese Union-African Democratic Rally, he was removed from the party in 1998 for having opposed part of its plan to refuse recognition to certain institutions participating in contested elections.

Kouyaté is also internationally known as a writer; even before Mali's independence, in 1957, he had published his first novel, Sous l'orage. This was followed by two other novels, Le Sang des masques in 1976 and Noces sacrées in 1977. In 2007 his novel La Saison des pièges was published.

Correia- Lyricist of the Anthem of Azores

The Azores are an autonomous province of Portugal, and have their own local, unofficial anthem- "Hino dos Acores" (Hymn of the Azores). The original song was composed by Joaquim Lima during the 1890s when the autonomy movement was growing. Originally without lyrics (yet several unofficial lyrics were penned to promote autonomy), the Azorean government asked Azorean poetess Natália de Oliveira Correia to compose official lyrics for the anthem. The government also adopted Teófilo Frazão's arrangement of the original melody as the official version of the anthem in 1980.

Natália de Oliveira Correia, (b. September 13, 1923 in Fajã de Baixo, São Miguel Island, Azores - March 16, 1993 in Lisbon) was a Portuguese writer, and was the author of the lyrics of Hino dos Açores, the traditional anthem of The Azores.

Correia was born in Fajã de Baixo near downtown Ponta Delgada, on São Miguel island in the Azores on September 13, 1923, daughter of Manuel de Medeiros Correia and wife, married in 1918, writer Maria José de Oliveira (Capelas, Ponta Delgada, May 26, 1892 - Brazil, January 1956). She had an older sister named Carmen de Oliveira Correia, unmarried and without issue. She moved to Lisbon when she was 11. She collaborated in the publication of various periodicals and was the deputy of the Portugues Social Democratic Party. She was one of the most important activists in the fight against fascism in her country, and a prominent defender of culture, human rights and womens' rights in particular. She is considered one of the most important figures in 20th century Portuguese literature.

Correia's deep affection for her native island's native beauty is demonstrated profoundly in the themes, images and symbols portrayed in her works, as well as by her association with contemporaries Antero de Quental and Vitorino Nemésio. She was much influenced by surrealism, Galician-Portuguese poetry, and mysticism, and her works span the spectrum from poetic romanticism to satire. She worked in many different genres: poetry, essays, theatre, and anthologies.

Correia participated in several political oppositional movements, opposing Estado Novo (New State) and supporting MUD (Movimento de Unidade Democrática in 1945). At one point, Correia spent three years in prison, under a suspended penalty, for the publication of a poem deemed offensive by authorities. In 1980 she was elected to Parliament as a member of the PPD (Partido Popular Democrático).

In 1991, Natália Correia received an award from Grande Prémio de Poesia da Associação Portuguesa de Escritores (Grand Premium of Poems of the Portuguese Writers Association) for her book Sonetos Românticos (Romantic Sonnets). In the same year, she was admitted to the Ordem da Liberdade and Ordem de Santiago.

Natália Correia died on March 16, 1993 in Lisbon. She was married four times, all of them without any issue: in 1942 to Álvaro Pereira, in 1949 to William Creighton Hyler, in 1950 to Alfredo Machado and in March 1990 to Dórdio Leal Guimarães (Porto, March 10, 1938 - July 2, 1997).

Sunday, July 12, 2009

The National Anthem of Mongolia

The National Anthem of Mongolia was created in 1950. The music is a composition by Bilegiin Damdinsüren (1919 - 1991) and Luvsanyamts Murdorj (1915 - 1996), the lyrics were written by Tsendiin Damdinsüren (1908 - 1988).

Over the twentieth century, Mongolia had several national anthems. The first one was used between 1924 and 1950. The second between 1950 and 1962, and a third one between 1961 and 1991. Since 1991, most of the anthem of 1950 is used again, but the second verse (praising Lenin, Stalin, Sükhbaatar, and Choibalsan) has been removed. On July 6th, 2006 the lyrics were revised by the Mongolian Parliament to commemorate Genghis Khan.

Khatagin Tsendiin Damdinsüren (1908-1986) was a Mongolian writer and linguist. He wrote the text to one version of the national Anthem of Mongolia. Damdinsüren was born in Mongolia 1908, in what is today the Dornod Aimag (province).

As a young man, he was politically active in the Mongolian Revolutionary Youth League, where he was elected into the Central Committee in 1926, and eventually became an editor of its publications. Later he became the chairman of the Council of Mongolian Trade Unions and was involved in the collectivization and seizures . He joined the MPRP in 1932. In 1933 he continued his education in Leningrad.

After returning to Mongolia in 1938, Damdinsüren became an ally of Yumjaagiin Tsedenbal, the future Premier Minister and President. He promoted the switch from the vertically written classical Mongolian script to an adapted Cyrillic script. He was forced to do it as he was politically repressed and imprisoned and was threatened by capital punishment. Later he confessed abandonment of the Classical Mongolian Script as one of the mistakes of his life. Between 1942 and 1946 he was an editor for the party newspaper Unen(The Truth). In 1959 he became chairman of the Committee of Sciences, and between 1953 and 1955 he was chairman of the Writers Union.

Damdinsüren wrote poetry that was well received in Mongolia. He also produced prose and literary studies, and a translation of The Secret History of the Mongols into modern Mongolian. The language of his poems and prose were largely based on the oral literary traditions of Mongolia, which he developed into a classical language of the Mongolian literature of the 20th century. His novel Gologdson huuhen (The Rejected Girl) became one of the popular films of 1960s.

He created the first large Russian-Mongolian dictionary and wrote the text to the national anthem that was in use between 1950 and 1962, and in parts after 1991.