Monday, October 5, 2009

The National Anthem of Bolivia

The national anthem of Bolivia (Himno Nacional de Bolivia), also known as Bolivianos, el Hado Propicio (Bolivians, a most Favorable Destiny) was adopted in 1851. José Ignacio de Sanjinés, a signer of both the Bolivian Declaration of Independence and the first Bolivian Constitution, wrote the lyrics. The music was composed by an Italian, Leopoldo Benedetto Vincenti.

José Ignacio de Sanjinés Barriga (1786 – August 15, 1864) was a Bolivian poet and legislator. Born in Chuquisaca, he was a delegate to the Asambleas Deliberante y Constituyente (Deliberative and Constituent Assemblies) of 1825 and 1826, when Bolivia first became an independent republic.

He signed the Bolivian Declaration of Independence and the first Bolivian Constitution. His lyrics were meant to inspire patriotism, hatred of tyranny and love of freedom, and admiration for Bolivian soldiers who had recently won Bolivia's war of independence against Spain. He died in Sucre in 1864.

Friday, October 2, 2009

World Heart Day Race

The World Heart Day Race unfolded last September 27, 2009. This was my first race- a 10K which started at exactly 6 am at the Cebu Provincial Capitol area. Being a nocturnal person, waking up at 4:30 am to get ready for the race was really an effort, but I thought, this is a race for the heart and only those with a "heart" will survive the race. After packing my running stuff and carb loading with a slice of bread and a teaspoon of crispy peanut butter, my wife and I were off to the venue. She had to come with me or else, no one would take pictures of me running. This is a momentous event for a first timer like me. We then proceeded to the booth to get our singlet and race number (008)- "a lucky number", my wife commented.

At the starting line, I mentally told my self that I would run to enjoy the moment, no sprinting- just running at my average pace of 6 min and 40 seconds per km. When the gun fired to signal the start of the race, a crazy thing happened which triggered a transient bout of panic attack. My iPod- with its Nike iSport kit- refused to play. Is my sensor at my other shoe, the battery low or busted earbuds? What in God's name is wrong here?? I CANT RUN WITHOUT MY MUSIC. I walked for at least 2 minutes trying to figure out the gadget problem. My wife was able to capture this as you can see in the pics. After incessantly pressing the center button, the thing miraculously played and off I went.

The weather was fine and the air was cool. This was the earliest run in my whole life and the road without traffic was a pleasant sight to see. The 10 kilometer run felt short and easy. At around kilometer 4, the fastest runner had already made his U-turn at Gaisano country mall and we met in the opposite direction near crossroads. At kilometer 5, Yong and Donna Larrazabal were already on their way back. "It's okay", I told myself, my goal was to finish the race and time was not of importance.

After 1 hour and 3 minutes of running, I reached the finish line smiling- happy and contented to have finished my first race intact. Next time, I'll run the 10K in less than an hour- if my iPod cooperates.

Thursday, September 17, 2009

My Running Playlists and Gadgets

I always run with my iPod. Music gets me motivated to run and there's never a dull moment running with it. I usually play the alternative, nu-metal and emo-screamo stuff coz it really gets my nerves going and prevents me from falling asleep while I run. Ha Ha. Current favorite artist in my playlist include Linkin Park (my power artist), Billy Talent, AudioAdrenaline, Chickenfoot, Flobots, Guano Apes, Inward Eye, Our Lady Peace, A Perfect Circle, Rev Theory, Taking Back Sunday and Thousand Foot Krutch. My favorite instrumental piece is the Shard by Steve Jablonsky, composer of the Transformer score. It is the background piece in the breath taking chase scenes in the movie. I imagine my self being chased by the Bad bots and this really increases my pace.

My favorite running gadget is the Nike+ iPod Sport Kit. In this gadget, you can press the center button in the hardest phase of your run and immediately your powersong plays to give you the added boost of energy. I love the Nike + iPod sport system- its a workout partner and coach all in one. In this system, you select the type of workout you like- open-ended, distance, time or calorie burning. You then choose the music to keep you motivated, and then, it keeps track of your progress every step of the way with spoken and on screen feedback. After your runs, you can upload you workout data to your computer where you can set goals, monitor your improvement and even participate with runners from across the globe. The kit comes with a sensor, which you place in a Nike-enabled shoe, and a remote, which you connect to your iPod Nano. Come October 24, 2009, I will be joining the worldwide race, Nike+ Human Race 10K. Though I'm not in any of the venues, my Nike iPod Kit enables me to join this race if I run 10K on this race and upload my run after. I will be running in my favorite shoe- the Nike Vomero 4 - a superb neutral-cushioned shoe for medium- arched supinators like me. Running on this shoe felt like running on soft pillows. For trail running, my current favorite is the North Face Arnuva 50. Can't wait for my next to run!!!

Sunday, September 6, 2009

The National Anthem of Nepal

Sometime during the 1895-1901 reign of the hereditary prime minster Bir Shumshere Jung Bahadur Rana was advised that a "salutation melody" should be composed for both the king and the prime minister. The military band, under the directorship of Dr AM Pathan was given the task, and the Shree Teenko Salaami (for the Rana hereditary prime minister) and the Shree Paanchko Salaami (for the king) were composed. The prime minister's successor, on assuming to office, ordered that words be composed for the tunes. The task fell to the Nepali Language Publications Committee, the superintendant of this group turned to his assistant, Pandit Chakrapani Chalise, a prominent poet, who wrote words to both anthems.

With the ousting of the hereditary Rana prime ministers in the early 1950s, the Shree Teenko Salaami was no longer used, and the Shree Paanchko Salaami (king's anthem) gained more prominence. The anthem underwent some minor changes as a result. The 1962 constitution, handed down by the king, made this anthem into law, thus making it no longer just the royal anthem, but the "ras triya gaan" (national song). Upon official adoption, the second stanza was dropped. The verse that was left honours the king.

After the revolutions of spring 2006 against the monarchy, Nepal sought to replace its pro-monarchy anthem with a new one in a public contest. The winner, Pradeep Kumar Rai (writing under the pen name Byakul Maila) was selected from 1,272 submissions. The new anthem was officially declared on August 3, 2007.

The National Anthem of Romania

Romania's first national anthem in use was "Traiasca Regele", which was used until the deposition of the monarchy on December 30, 1947. The Romanian composer George Enescu quoted this anthem in his "Poème Roumain", op. 1; in performances of Enescu's work during the communist era, this piece was edited out. After the end of the communist regime, this piece was once again played in Enescu's work.

The lyrics are by Vasile Alecsandri, considered one of Romania's great national poets. He was a figure in the 1848 revolution and later in the 1859 union of Moldavia and Walachia, which is considered the founding of modern Romania. The music was by captain Eduard Hubsch, general inspector for military music in Romania.

The second anthem used by the communist government of Romania, "Te slãvim, Românie" was in use until the rule of Ceausescu. One of the authors, Dan Desilu was a poet whose works generally praised the communist government during the early years of communism, but later became disillusioned with the regime. The composer, Matei Socor, was once president of the Composers' Union (which was, at the time, used to extol the Communist government in musical form.)

Starting in the late 1960s, the second verse, referencing the Soviet Union and Leninism, was no longer performed. Then, shortly after, the anthem became officially wordless (two verses were played instrumentally.)

"Trei culori", the anthem during the rule of Nicolai Ceausescu's communist government, is based on a Romanian patriotic song with the same title, the same music, but the text was revised to conform with Communist standards. The title refers to the national flag of Romania, which is a tricolour: red, yellow and blue. The composer, Ciprian Porumbescu also wrote the melody for the Albanian anthem.

After the fall of Ceaucescu in late December, 1989, "Trei Culori" remained the official anthem for several months until replaced by the decomcratic government. "Trei culori" was still played for those months in post-Communist Romania, without the Communist verses, and possibly with the original text.

During the fall of the Communist government in the last days of 1989, the popular song "Desteaptate, romane" was prevalent in the streets and quickly became a kind of "second anthem"; it was officially declared as the anthem in April, 1990, and was also used for a time by Moldova. Written during the 1848 revolution, it has been used by Romanians in their many struggles for freedom, such as from the Nazis in 1944, and during the end of communism, thus becoming the logical choice as a new anthem. The original work has eleven verses, but only four (verses 1, 2, 4, and 11) are the official lyrics.

Saturday, August 29, 2009

The Macau Communication and Philatelic Museum










Although the Communications Museum of Macau is located at a very awkward, far, and hard-to-reach place, it is still worth a visit.

The Communications Museum boasts of uniqueness and distinctiveness because it is the only museum in Macau that features the mechanics and specifications of such basic items such as the telephone or how the post works. Not only that, it's also one-of-a-kind for the reason that it's the only museum in Macau that is situated along the Grand Prix circuit.

The Communications Museum was inaugurated on the 1st of March of this year, which makes it the youngest and newest museum in Macau. It presents its exhibits in two main areas: the Post or Philately area and Telecommunications area.

One of the main objectives of the Communications Museum is to serve the Macao population, especially primary and secondary students, aiming at stimulating interest in Philatelic Collection, promoting scientific and technical knowledge of telecommunications, and making it more accessible to the general public.

It also aims to be a place of divulgation of Stamp Collection techniques and of promotion of Macao Philately, both to the Macao population and the tourists that visit the Museum.

The building of the Communications Museum is composed of three floors, excluding the ground/reception floor. On the ground floor, the reception desk and museum shop are located. There is also an auditorium and a multi-functional room which can both be used for special occasions.

To get to the next floor, you can either use the stairway that's strategically located in the middle of all the exhibits or the elevator that lets you look at the exhibit area through the glass windows. On the first floor are interactive activities for the visitor and there is also a mini-theatre. Most of the interactive activities in the Communications Museum are located on this floor and some of them are stamp activities, a flight simulator, postal activities, and communications activities

The exhibitions on the third floor are more about electronics and communications apparatuses. There are also live demonstrations about inventions by famous scientists and an electronic workshop on the second floor of the Communications Museum.

On the 3rd and last floor of the museum, there is a terrace and a snack bar where the visitors can go have a rest after a tiring and interesting day in the Communications Museum. Also, the Macau Philatelic Club can be found on the museum's topmost floor.

The Communications Museum is a place where visitors can simultaneously experiment, learn, and have fun because of the interactive exhibitions inside. It is designed to be a place of interactivity, discovery, experimentation, satisfaction, and development of your abilities in the fields of Telecommunications.

One or two hours aren't enough for a visit to the Communications Museum because of the numerous activities that you, whether you're with your family or friends, can do there. It is also a place of dissemination of Stamp Collection technique and promotion of Macau Philately, both to the local residents of Macau and visitors.

Saturday, August 1, 2009

The National Anthem of Columbia

In 1887, a Bogota comedian named José Domingo Torres, combined his two passions of theatrical music and his love for his country to push for the creation of a national anthem for Colombia. He decided to use as the lyrics of the anthem an inspiration poem written by then President Rafael Núñez commemorating the city of Cartagena, and asked his friend Oreste Sindici, an Italian opera teacher, to compose the music. The anthem, containing eleven verses in total, was first performed in November of that year in a music hall in the public school where Sindici taught. The anthem was officially adopted by Congress in 1920, and an official transcription was made in 1946.

Little is known about the first years of the life of Rafael Núñez. It is known that he served as Judge of the circuit of Chiriquí, Panama in 1848. Later that year he founded in Cartagena, Colombia, the newspaper 'La Democracia' with the intention of favoring the presidential election of general Obando - as successor of José Hilario López. That same year he was named secretary of the government of Cartagena, and thus beginning his political life.

In 1853 he was elected to Congress. And later was elected governor of the Departamento of Bolívar. Between 1855-1857, during the government of Manuel María Mallarino, he carried out the ministries of property, and war. In 1855 he published his first volume of political essays, under the name of 'La Federación'. Later, under the government of Mosquera, he served as minister of national property. After representing Colombia in the Ríonegro treaty, he travelled abroad. He first lived in New York City for two years, later he represented Colombia in Le Havre, and finally he became a Consul in Liverpool. In 1874, while in Europe, many of the most important writings of Núñez were published.

He returned to Colombia in 1876 at the center of a political fight. He had been already selected, in 1875, as a candidate for the presidency, but did not manage to get elected. Five years later he occupied for the first time the presidency (1880-1882). Soon, in 1884, he was chosen president again, with the support of the Conservative Party. The Constitutional reform of 1886, carried out with the collaboration of Miguel Antonio Caro, is possibly the most outstanding political performance of Núñez. This constitution, with some later modifications, was essentially in effect until the proclamation of a new one in 1991. From 1878 to 1888 he wrote hundreds of influential articles related to the constitutional reform for the newspapers 'La Luz' and 'La Nación' of Bogota, and 'El Porvenir' and 'El Impulso' of Cartagena. He also wrote the lyrics for the Colombian national anthem. He was once again re-elected in 1886 for the presidency and finally retired from political life in 1888, settling down in Cartagena, where he died in 1894.

Thursday, July 23, 2009

The Panama National Anthem

Panama is an isthmus (a narrow strip of land enclosed by water on two sides), and it's anthem is entitled, appropriately, "Himno Istemño". The anthem was first performed by citizens in the streets on the day of independence in 1903, and was fully adopted as an anthem in 1925.

Santos Amatriaim Jorge (1870 - 1941), composed the music for the Panamanian national anthem "Himno Istmeno". He was born in Peralta, Navarre, Spain in November 1870. After studying music at the Conservatorio de Madrid, he moved to the Isthmus of Panama in 1889 where he taught music. In 1892, he became the director of the military band of the Colombia Battalion.

The lyrics of the Panamanian national anthem were written by Jeronimo de la Ossa. He was born in Panama City on April 9,1847 and died there in 1907. He was a romantic poet who studied civil engineering in Chile. He later represented the Panamanian consulate in Chile and worked for the France Canal Company. His poems are characterized as simple and down-to-earth. His works were published in several journals and magazines, but his greatest verses were written while he was still a student. He wrote the poem La Fuente del Paraiso.

The stamp above is an overprint featuring the anthem composer and lyricist.

Friday, July 17, 2009

Senghor- Senegal Anthem Lyricist

"Pincez Tous vos Koras, Frappez les Balafons" (Pluck Your Koras, Strike the Balafons)is Senegal's national anthem. The "koras" (a harp-lute) and "balafons" (drums) mentioned in the anthem title are native instruments to this African nation, and can be used in the playing of the national anthem. The composer of the music. Herbert Pepper, also composed the music for the Central African Republic anthem, and the words were by Senegal's first president, Leopold Senghor.

Léopold Sédar Senghor (9 October 1906 – 20 December 2001) was a Senegalese poet, politician, and cultural theorist who served as the first president of Senegal (1960–1980). Senghor was the first African to sit as a member of the Académie française. He was also the founder of the political party called the Senegalese Democratic Bloc. He is regarded by many as one of the most important African intellectuals of the 20th century.

Léopold Sédar Senghor was born on 9 October 1906 in the small coastal city of Joal, some one hundred kilometres south of Dakar. Basile Diogoye Senghor, Léopold's father, was a businessman belonging to the bourgeois tribe Serer, a minority group in Senegal. Gnilane Ndiémé Bakhou, Léopold's mother, and the third wife of his father, was Muslim of Peul origin belonging to the Tabor tribe. She gave birth to six children, including two sons. Senghor had also inherited from the Serers, apart his first name, his two last names: his father's name, Senghor (derived from the Portuguese for Lord, Senhor ) and the Serere's name Sedar (meaning "One that shall not be humiliated").

At the age of eight Senghor began his studies in Senegal in the Ngasobil boarding school of the Fathers of the Holy Spirit. In 1922 he entered a seminary in Dakar. When he was told the religious life was not for him, he attended a secular institution. By then, he was already passionate about French literature. He distinguished himself in French, Latin, Greek and Algebra. With his Baccalaureate completed, he was awarded a scholarship to continue his studies in France.

In 1928 Senghor sailed from Senegal for France, beginning in his words, "sixteen years of wandering." Starting his post-secondary studies at the Sorbonne, he quickly quit and went on to Louis-Le-Grand to finish his prep course for entrance at the École Normale Supérieure. He was there while Paul Guth, Henri Queffélec, Robert Verdier and Georges Pompidou were also studying at this establishment. After failing the entrance exam, he decided to prepare for his grammar Aggregation. He was granted his aggregation in 1935 after a failed first attempt.

He graduated from the University of Paris, where he received the Agrégation in French Grammar. Subsequently, he was designated professor at the Universities of Tours and Paris, during the period 1935-1945.

Senghor started his teaching years at the Lycée René-Descartes in Tours and taught with the Lycée Marcelin Berthelot in Saint-Maur-des-Fosses near Paris. Besides his teaching career, Senghor attended linguistics classes taught by Lilias Homburger at the Ecole pratique des hautes etudes, and studied also with prominent social scientists such as Marcel Cohen, Marcel Mauss and Paul Rivet (director of the Institut d'ethnologie de Paris). It was at this time that Senghor, along with other intellectuals of the African diaspora who had come to study in the colonial capital, coined the term and conceived the notion of "négritude," which was in effect a response to the racism still prevalent in France, turning the racial slur "nègre" into a positively connoted celebration of African culture and character. The idea of négritude would inform not only Senghor's cultural criticism and literary work, but also became a guiding principle for his political thought in his career as a statesman.

In 1939, Senghor was enrolled as a French army officer within the 59th Colonial Infantry division. A year later he was made prisoner by the Germans in la Charité-sur-Loire. He was interned in different camps but finally interned in Front Stalag 230, in Poitiers. This later camp was reserved for colonial troops captured during the war. German soldiers wanted to execute him and the other black POWs the same day they were captured, but they escaped this fate by yelling "Vive la France, vive l'Afrique noire!" The soldiers decided against executing them after being told by a French officer that this entirely racist act would dishonour the Aryan race and the German Army. In total, Senghor spent two years in different prison camps, where he spent most of his time writing poems. In 1942 he was released for medical reasons. He resumed his teaching career while staying involved in the resistance with the Front national universitaire.

Once the war was over, he took over the position of Dean of the Linguistics Department with the École Nationale de la France d'Outre-Mer, a position he would hold until Senegal's independence in 1960. While travelling on a research trip for his poetry, the local socialist leader, Lamine Guèye, suggested he become a member of the Assemblée nationale française. Senghor accepted and became député for the riding of Sénégal-Mauritanie, when colonies were granted the right to be represented by elected individuals. One occasion when Senghor showed his difference from Lamine Guèye, was when the train conductors on the line Dakar-Niger went on strike. The latter voted against the strike arguing the movement would paralyse the colony, while Senghor supported the workers, gaining him great support among Senegalese.

In 1946, Senghor married Félix Éboué's daughter, with whom he had two sons: Francis (1947-) and Guy (1948-1983).

The following year he left the African Division of the French Section of the Workers International (SFIO) that had given enormous financial support to the social movement. With Mamadou Dia, Senghor founded the Bloc démocratique sénégalais (1948). They won the legislative elections of 1951, and Lamine Guèye lost his seat.

Re-elected deputy in 1951 as an independent overseas member, he was state secretary to the Council's president in Edgar Faure's government from 1 March 1955 to 1 February 1956. He became mayor of the city of Thiès, Senegal in November 1956 and then advisory minister in the Michel Debre's government from 23 July 1959 to 19 May 1961. He was also a member of the commission responsible for drafting the Fifth Republic's constitution, general councillor for Senegal, member of the Grand Conseil de l'Afrique Occidentale Francaise and member for the parliamentary assembly of the European Council.

Meanwhile, he divorced his first wife and in 1957 married Colette Hubert, a French national from Normandy with whom he had a son, Philippe Maguilien (-1981). In 1964 he published the first volume of a series of five titled Liberté. The book contains a variety of speeches, allocutions, essays and prefaces.

Senghor was a supporter of federalism for newly independent African states, a type of "French Commonwealth". Since federalism was not favoured by the African countries, he decided to form, along with Modibo Keita, the Mali Federation with former French Sudan (present day Mali). Senghor was president of the Federal Assembly until its failure in 1960. Afterwards, Senghor became the first President of the Republic of Senegal, elected on 5 September 1960. He is the author of the Senegalese national anthem. The prime minister, Mamadou Dia, was in charge of executing Senegal's long-term development plan, while Senghor was in charge of foreign relations. The two men quickly disagreed. In December 1962, Mamadou Dia was arrested and suspected of fomenting a coup. He remained in jail for twelve years. Following this, Senghor created a presidential regime. On 22 March 1967, Senghor escaped an attempt on his life. The suspect, Moustapha Lô, was sentenced to death for treason and executed in June 1967.

He resigned his position before the end of his fifth term in December 1980. Abdou Diouf replaced him at the head of the country. Under his presidency, Senegal adopted a multi-party system (limited to three: socialist, communist and liberal) as well as a performing education system. Despite the end of official colonialism, the value of Senegalese currency continued to be fixed by France, the language of learning remained French, and Senghor ruled the country with French political advisors.

He was elected a member of l'Académie française on 2 June 1983, at the 16th seat where he succeeded the Duke of Levis-Mirepoix. He was the first African to sit at the Academie. The entrance ceremony in his honor took place on 29 March 1984, in presence of then French President François Mitterrand. This was considered as a further step towards greater openness in the Académie, after the previous election of a woman, Marguerite Yourcenar.

He spent the last years of his life with his wife in Verson, near the city of Caen Normandy, where he passed away on 20 December 2001. His funeral was held on 29 December 2001 in Dakar. Officials attending the ceremony included Raymond Forni, president of the Assemblée nationale and Charles Josselin, state secretary for the minister of foreign affairs, in charge of the Francophonie. Jacques Chirac (who said, upon hearing of Senghor's death: "Poetry has lost one of its masters, Senegal a statesman, Africa a visionary and France a friend" and Lionel Jospin, respectively president of the French Republic and the prime minister did not attend. Their failure to attend Senghor's funeral made waves as it was deemed a lack of acknowledgement for what the politician had been in his life. The analogy was made with the Senegalese Tirailleurs who, after having contributed to the liberation of France, had to wait more than forty years to receive an equal pension (in terms of buying power) to their French counterparts. The scholar Erik Orsenna wrote in the newspaper Le Monde an editorial titled: "J'ai honte" (I am ashamed).

Although a socialist, Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa, favouring the maintenance of close ties with France and the western world. This is seen by many as a contributing factor to Senegal's political stability: it remains one of the few African nations never to have had a coup, and to have always had a peaceful transfer of power.

Senghor's tenure as president was characterized by the development of African socialism, which was created as an indigenous alternative to Marxism, drawing heavily from the négritude philosophy. In developing this, he was assisted by Ousmane Tanor Dieng. On 31 December 1980, he retired in favour of his prime minister, Abdou Diouf.

Seat number 16 of the Académie was vacant after the Senegalese poet's death. He was ultimately replaced by another former president, Valéry Giscard d'Estaing.

Senghor received several honours in the course of his life. He was made Grand-Croix of the Légion d'honneur, Grand-Croix of the l'Ordre national du Mérite, commander of arts and letters. He also received academic palms and the Grand-Croix of the l'Ordre du lion du Sénégal. His war exploits earned him the medal of Reconnaissance franco-alliée 1939-1945 and the combattant cross 1939-1945. He was named honorary doctor of thirty-seven universities.

The French Language International University in Alexandria was officially open in 1990 and was named after him.

The airport of Dakar, Dakar-Yoff-Léopold Sédar Senghor International Airport, is named after him, and the Passerelle Solférino in Paris was renamed after him in 2006, on the centenary of his birth.

In 1994 he was awarded the Distinguished Africanist Award by the African Studies Association; however, there was controversy about whether he met the standard of contributing "a lifetime record of outstanding scholarship in African studies and service to the Africanist community." Michael Mbabuike, president of the New York African Studies Association (NYASA), said that the award also honors those who have worked "to make the world a better place for mankind."

His poetry was widely acclaimed, and in 1978 he was awarded the Prix mondial Cino Del Duca. His poem A l'appel de la race de Saba published in 1936 was inspired by the entry of Italian troops in Addis Abeba. In 1948, Senghor compiled and edited a volume of Francophone poetry called Anthologie de la nouvelle poésie nègre et malgache for which Jean-Paul Sartre wrote an introduction, titled "Orphée Noir" (Black Orpheus).

With Aimé Césaire and Léon Damas, Senghor created the concept of Négritude, an important intellectual movement that sought to assert and to valorize what they believed to be distinctive African characteristics, values, and aesthetics. This was a reaction against the too strong dominance of French culture in the colonies, and against the perception that Africa did not have culture developed enough to stand alongside that of Europe. Building upon historical research identifying ancient Egypt with black Africa, Senghor argued that sub-Saharan Africa and Europe are in fact part of the same cultural continuum, reaching from Egypt to classical Greece, through Rome to the European colonial powers of the modern age. Négritude was by no means—as it has in many quarters been perceived—an anti-white racism, but rather emphasized the importance of dialogue and exchange among different cultures (e.g., European, African, Arab, etc.).

Thursday, July 16, 2009

The National Anthem of Guinea-Bissau

In 1963, a delegation from Portugese Guinea (as it was then known, as a Portugese colony) visited China. After hearing a song composed by Xiao He, one of the independentist politicians in attendance, Amilcar Lopes Cabral, said that he would like that composer to compose a similar song to inspire the people of Portugese Guinea to strive for independence. Using African music as his inspiration, Xiao He composed the music, which became the anthem of Guinea-Bissau upon 1974 independence.

Since Cabral's organization included both Portugese Guinea and Cape Verde, the anthem was also adopted by Cape Verde when their independence was achieved a year later. The two nations even proposed to merge, but this merger dissolved before it was realized, and a few decades later, Cape Verde subsequently adopted its own anthem.

Amílcar Lopes Cabral (12 September 1924 – 20 January 1973) was an African agronomic engineer, writer, Marxist and nationalist politician. Also known by the nom de guerre Abel Djassi, Cabral led African nationalist movements in Guinea-Bissau and the Cape Verde Islands and led Guinea-Bissau's independence movement. He was assassinated in 1973 by Guinea-native agents of Portuguese colonialism, just months before Guinea-Bissau declared unilateral independence.

He was born on September 12, 1924 in Bafatá, Portuguese Guinea, son of a Cape-verdean parents. His half-brother Luís Cabral would later become head of state of Guinea-Bissau. Amílcar Cabral was educated in Lisbon, the capital of Portugal which was the colonial power that ruled over Portuguese Guinea at that time. While an agronomy student at the Instituto Superior de Agronomia in Lisbon, he founded student movements dedicated to African nationalism.

He returned to Africa in the 1950s, and began forming independence movements on the continent. He was instrumental in the formation of the PAIGC or Partido Africano da Independência da Guiné e Cabo Verde (Portuguese for African Party for the Independence of Guinea and Cape Verde). He also worked to form a liberation party in Angola with Agostinho Neto, an associate he met and befriended in Portuga

Beginning in 1962, Cabral led the PAIGC in a guerrilla movement which evolved into a military conflict against the Portuguese ruling authorities of Portuguese Guinea. The goal of the conflict was to attain independence for both Portuguese Guinea and Cape Verde. Over the course of the conflict, the party won land gains, and Cabral was made the de facto leader of many parcels of land in Guinea-Bissau.

Even before the war for liberation began, Cabral set up training camps in neighboring Ghana with the permission of Kwame Nkrumah. Cabral trained his lieutenants through rigorous mock conversations to talk with their tribal chiefs and convince them to support the PAIGC and the independence movement before he trained them in military tactics. Later in the war, Cabral found that members of the PAIGC who successfully converted their own tribe to the cause of the PAIGC would not leave to help convince and gather the support of other tribes, he instituted a rotation program where his trainees would no longer be sent to their home tribe.

As an agronomist, he realized that his troops needed to be fed and live off the land alongside the larger populace. He taught his troops to teach local crop growers better farming techniques, thus raising the productivity of the farms to feed their own family and tribe, as well as the soldiers in the military wing of the PAIGC. During down time, PAIGC soldiers would till and plow the fields alongside the local population.

Cabral and the PAIGC also set up a trade-and-barter bazaar system that moved around the country and made staple goods available to the countryside at prices lower than that of colonial store owners. During the war, Cabral also set up a roving hospital and triage station to give medical care to wounded PAIGC's soldiers and quality-of-life care to the larger populace, relying on medical supplies garnered from the USSR and Sweden. The bazaars and triage stations were at first stationary until they came under frequent attack from Portuguese forces.

In 1972, Cabral began to form a People's Assembly in preparation for an independent African nation, but disgruntled former rival Inocêncio Kani shot and killed him with the help of Portuguese agents operating within the PAIGC. The Portuguese enjoined the help of this former rival to bring Amílcar Cabral to meet Portuguese authorities to sign a document stating the independence of Guinea-Bissau. The assassination took place on 20 January 1973 in Conakry, Guinea. His half-brother, Luís Cabral, became the leader of the Guinea-Bissau branch of the party and would eventually become President of Guinea-Bissau.

The National Anthem of the Central African Republic

The words to "La Renaissance" were written by the nation's first president, Barthélémy Boganda and the melody was composed by Herbert Pepper, the same person who wrote the melody for the Senegalese anthem. The anthem was adopted for use in 1960.

Barthélemy Boganda (4 April 1910 – 29 March 1959) was the leading nationalist politician of what is now the Central African Republic. Boganda was active prior to his country's independence, during the period when the area, part of French Equatorial Africa, was administered by France under the name of Oubangui-Chari. He served as the first Prime Minister of the Central African Republic autonomous territory.

Boganda was born into a family of subsistence farmers, and was adopted and educated by Roman Catholic Church missionaries. In 1938, he was ordained as the first Roman Catholic priest from Oubangui-Chari. During World War II, Boganda served in a number of missions and after was persuaded by the Bishop of Bangui to enter politics. In 1946, he became the first Oubanguian elected to the French National Assembly, where he maintained a political platform against racism and the colonial regime. He then returned to Oubangui-Chari to form a grassroots movement in opposition of French colonialism. The movement led to the foundation of the Movement for the Social Evolution of Black Africa (MESAN), and became popular among villagers and the working class. Boganda's reputation was slightly damaged when he was laicized from the priesthood after marrying Michelle Jourdain, a parliamentary secretary. Nonetheless, he continued to advocate for equal treatment and civil rights for blacks in the territory well into the 1950s.

In 1958, after the French Fourth Republic began to consider granting independence to most of its African colonies, Boganda met with Prime Minister Charles de Gaulle to discuss terms for the independence of Oubangui-Chari. De Gaulle accepted Boganda's terms, and on 1 December, Boganda declared the establishment of the Central African Republic. He became the autonomous territory's first Prime Minister and intended to serve as the first President of the independent CAR. He was killed in a mysterious plane crash on 29 March 1959, while en route to Bangui. Experts found a trace of explosives in the plane's wreckage, but revelation of this detail was withheld. Although those responsible for the crash were never identified, people have suspected the French secret service, and even Boganda's wife, of being involved. Slightly more than one year later, Boganda's dream was realized, when the Central African Republic attained formal independence from France.

The National Anthem of Barbados

The Barbados national anthem was adopted upon independence on November 30, 1966. The lyrics were written by Mr. Irving Burgie, a USC music scholar who also performed music under the name Lord Burgess. When Mr. C. Van Roland Edwards composed the Music for the National Anthem he was partly blind. Because of his partial blindness he was assisted in his work by his two daughters Nannette and Eullia.

The music of the National Anthem of Barbados was composed by Mr. C. Van Roland Edwards who was partly blind at the time. Mr. Edwards who attended St. Peter's Church Boy's School was born in 1912 and had been writing music with no formal training. He was also a member of the British song society since 1933. Edwards wrote the Anthem for Barbados’ Independence in 1966 and was awarded $500 by the Government. He later died on April 22nd 1985.

Other compositions by Van Roland Edwards include: The St. Andrew Murder, The Goodman Song,The Federation Song and Welcome to her Majesty the Queen Elizabeth I. In 1967, Inspector Prince Cave of the Royal Barbados Police Band a graduate of the Royal Military School of Music, Kneller Hall, re-arranged the music of the National Anthem. He had given it more harmony while keeping the original tune.

The lyrics of the National Anthem of Barbados were written by Mr. Irvin Burgie who was born in 1926 in America. He is the product of a Barbadian mother and an American father. Burgie attended the University of Southern California where he studied music. Mr. Burgie whose stage name was Lord Burgess performed in many cities of the U.S.A and has written for a number of internationally famous artists.

Other notable songs written by Irvin Burgie: Ballad for Bimshire, Island in the Sun, and The West Indian Song Book. He is most well known for the song "Jamaica Farewell", of which he wrote the lyrics. He also wrote songs for famous International performers like Harry Belafonte, Jimmy Buffett, and Carly Simon.

Mr. Burgie is a Life Member of the NAACP and often visits Barbados where he has instituted the Irvin Burgie Literary Award for Barbadian school children.