"Rise O Voices of Rhodesia"

When Rhodesia first declared its independence in 1965, it was a member of the British Commonwealth, and retained the Queen as the head of state, therefore "God Save the Queen" was the national anthem until Rhodesia became a republic in 1970, and ties were severed with the United Kingdom. Rhodesia then did not have a national anthem until a national competition was held and "Rise O Voices of Rhodesia" was declared as the anthem on 26th August 1974. Using Ludwig van Beethoven's "Ode to Joy" (which was also used at the time as the anthem of the European Union, and still is today) as the melody, the lyrics were composed by a South African born resident of Gwelo, Mary Bloom.

The white majority rule was ended in 1979 (and the country was renamed Zimbabwe-Rhodesia), and the nation of Zimbabwe was created the following year.

1. Rise, O voices of Rhodesia,
God may we thy bounty share,
Give us strength to face all danger,
And, where challenge is, to dare.

Guide us, Lord, to wise decision,
Ever of thy grace aware,
Oh, let our hearts beat bravely always,
For this land within thy care.

2. Rise, O voices of Rhodesia,
Bringing her your proud acclaim,
Grandly echoing through the mountains,
Rolling over far flung plain.

Roaring in the mighty rivers,
Joining in one grand refrain,
Ascending to the sunlit heavens,
Telling of her honoured name.

The stamp above features Beethoven with the score Symphony no. 5 issued by North Korea.

Sheng on Stamps

The mouth organ Sheng was designed in China about 3000 years ago. The pipes are stopped with the fingers. When the piped are not stopped, the air causes the free metal reeds to vibrate. In more modern instruments, the reeds are made of brass and tuned with wax. The sheng's elegant shape reminds of the mythical phoenix. It consists of a mouthpiece, which may vary in shape, a wind-chest, and pipes.

In China, four of the seventeen pipes serve only as decoration; in Japan only two serve this purpose. In modern shengs, all pipes are functional, encompassing the chromatic octave a1-a2 and four higher diatonic notes. The sheng became popular in the 11th century B.C.. In Europe it attracted attention in the 18th century, when the free reed principle was used in a number of Western instruments, such as the harmonium and the accordion. In the East, the sheng is used as a solo instrument and in ensembles.

The stamp was issued by Macao in 1986

Kulintang on Stamps

Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally-laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Malay Archipelago — the Southern Philippines, Eastern Indonesia, Eastern Malaysia, Brunei and Timor, although this article has a focus on the Philippine Kulintang traditions of the Maranao and Maguindanao peoples in particular. Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sunda. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.

Technically, kulintang is the Maguindanao, Ternate and Timor term for the idiophone of metal gong kettles which are laid horizontally upon a rack to create an entire kulintang set. It is played by striking the bosses of the gongs with two wooden beaters. Due to its use across a wide variety groups and languages, the kulintang is also called kolintang by the Maranao and those in Sulawesi, kulintangan, gulintangan by those in Sabah and the Sulu Archipelago and totobuang by those in central Maluku.

By the twentieth century, the term kulintang had also come to denote an entire Maguindanao ensemble of five to six instruments. Traditionally the Maguindanao term for the entire ensemble is basalen or palabunibunyan, the latter term meaning “an ensemble of loud instruments” or “music-making” or in this case “music-making using a kulintang.”

The stamp was issued on February 16, 2009. "Ani sa Sining", a set of four, depicting Philippine arts and culture.

Manuel S. Enverga on Stamps

Dr. Manuel S. Enverga, founder: president of the Luzonian University which he converted into a foundation that now bears his name, the Manuel S. Enverga University Foundation in Lucena City, and Representative of the First District of Quezon from 1953 to 1968, spent the remaining years of his retirement from politics nurturing the growth of the higher education institution he founded to provide affordable, relevant, and quality education to his countrymen and to write about his vision for the country, foremost of which was to advance the nationalist cause .

A staunch nationalist, Congressman Enverga authored the change of the celebration of Independence Day from July 4 to June 12 which President Diosdado Macapagal adopted and signed into an executive order. He also spearheaded the reexamination of Philippine foreign policy to open trade, scientific and economic cooperation with socialist countries to reduce dependence on the traditional American market, an advocacy that was clearly ahead of his time. Congressman Enverga has advanced the nationalist cause to a remarkable degree by the sober way in which he spearheaded the move to make foreign policy long shackled to antiquated but no less dangerous cold war myths responsive to the realities of the 1960s.

One of his major speeches in the House of Representatives which dwelt on the military danger and economic disadvantages posed by the American bases in the country has earned the praise of his more enlightened colleagues in the intellectual community. Congressman Enverga has also conceptualized the archipelagic principle that has now been enshrined in the definition of the country’s boundaries under the Philippine Constitution. He was born on January 1, 1909 and celebrates his centenary on January 1, 2009.

The stamp was issued on January 5, 2009

The National Anthem of Hong Kong

Hong Kong is one of the two special administrative regions of the People's Republic of China; the other is Macau. Situated on China's south coast and enclosed by the Pearl River Delta and South China Sea, it is renowned for its expansive skyline and deep natural harbour. With land mass of 1,104 km2 (426 sq mi) and a population of seven million people, Hong Kong is one of the most densely populated areas in the world. Hong Kong's population is 95% ethnic Chinese and 5% from other groups. Hong Kong's Han majority originate mainly from Guangzhou and Taishan, both cities in neighbouring Guangdong province.

Under the principle of "one country, two systems", Hong Kong runs on economic and political systems different from those of mainland China. Hong Kong is one of the world's leading international financial centres, with a major capitalist service economy characterised by low taxation, free trade and minimum government intervention under the ethos of positive non-interventionism. The Hong Kong dollar is the 9th most traded currency in the world.

Hong Kong's independent judiciary functions under the common law framework. Its political system is governed by the Basic Law of Hong Kong, its constitutional document. Although it has a burgeoning multi-party system, half of its legislature is controlled by small-circle electorate. The Chief Executive of Hong Kong, the head of government, is selected by an 800-person election committee.

Hong Kong became a colony of the British Empire after the First Opium War (1839–42). Originally confined to Hong Kong Island, the colony's boundaries were extended in stages to the Kowloon Peninsula and the New Territories by 1898. It was occupied by Japan during the Pacific War, after which the British resumed control until 1997, when China regained sovereignty. The Basic Law stipulates that Hong Kong shall enjoy a "high degree of autonomy" in all matters except foreign relations and military defense.

Hong Kong, being currently a Special Administrative Region of China, has never had its own anthem. As a colony of Britain until 1997, it used the anthem of that country as its official anthem. After control was given to China, the Chinese anthem has been used to represent Hong Kong.

The stamp above containing the score of the anthem was issued by China in 1983

William Blake on Stamps

William Blake (28 November 1757–12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry has led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". Although he lived in London his entire life except for three years spent in Felpham he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God", or "Human existence itself".

Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of both the Romantic movement and "Pre-Romantic", for its large appearance in the 18th century. Reverent of the Bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French and American revolutions, as well as by such thinkers as Jakob Böhme and Emanuel Swedenborg.

Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th century scholar William Rossetti characterised Blake as a "glorious luminary," and as "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors."

Historian Peter Marshall has classified Blake as one of the forerunners of modern anarchism, along with Blake's contemporary William Godwin. The lyrics of England's "Jerusalem" were taken from his poem.

The stamp was issue by Bulgaria in 1957, his 200th birth anniversary.

The Golden Stamp and the Russian National Anthem

In late 2000, Russia's new president Vladimir Putin, made creation of a new anthem for Russia a top priority, since a common complaint was not having words to their current anthem. In early December 2000, Putin presented a bill in the national asssembly to have the melody of the old anthem from the Soviet Union adopted as the new national anthem.

The measure passed by a wide margin on December 8, but it was not without controversy, both at the time and since. Many (including former President Yeltsin) did not feel a change was necessary, and the use of the old Soviet anthem could be seen as rejecting post-Communist reforms. Others have expressed concerns that the melody brings back memories of the past of hardships under the Communist regime, especially the crimes that took place under Stalin (who was Soviet leader when the anthem was first introduced).

It was then needed to adopt lyrics for the anthem, as the Communist-era lyrics would be inappropriate. After reviewing thousands of entries, new lyrics by Sergei Vladimirovich Mikhalkov (the same person who wrote the lyrics to the old Soviet anthem) were adopted on December 20, and the bill on the anthem was signed into law on December 25. The lyrics were also not without controversy as well, the main one being that the words were not well-known (perhaps due to the fact that this was the third set of words used for the melody since its introduction in 1944). Others, particularly the Communist deputies in the legislature, who were in favour of adopting Alexander Alexandrov's melody, objected to the reference to God in the anthem.

The sheet above issued in 2001 contains the state emblems of Russia (flag, seal and anthem). The seal is embossed with 22 karat gold.

The National Anthem of Galicia

"Os Pinos" (The Pine Trees) is the National anthem of Galicia. Galicia, which is in the northwest part of Spain,has roughly 2.78 million inhabitants as of 2008, with the largest concentration in two coastal areas, from Ferrol to A Coruña in the northwest from Vilagarcía to Vigo on the southwest. The capital is Santiago de Compostela, in the province of Coruña.

With its own culture, it also has its own anthem, flag and emblems. The Galician National Anthem was performed for the first time in 1907 in Havana, and in 1923 the Galician National Anthem was sung by regionalists and advocates of land reform at their meetings, and little by little became more and more accepted by many more.

The lyrics were written by Eduardo Pondal and the music composed by Pasqual Veiga. Banned during Franco's fascist regime, in 1975, during a nationalist gathering in the Festival of the Apostle, the public began to stand up as the National Anthem was sung in a very heart-moving act. A year later the custom became permanent in the Quintana Square of Santiago even though it was never ratified by the Spanish authorities. The custom is nowadays a nationalist and reivindicative act.

The stamp above featuring the score of the Galician anthem was issued in 1981.

The National Anthem of Cambodia (Nokoreach)

In the 1960s, Cambodia became more and more involved into the Vietnam war; to avoid conflicts with the USA and with communist North Vietnam, Prince Sihanouk declared Cambodia a neutral state, but he allowed North Vietnam to transport military goods through Cambodian territory to supply the communist Vietcong guerilla in South Vietnam with weapons and equipment. On 18th March 1970, General Lon Nol lead a military coup against Sihanouk and formed a pro-American government, which gave the US Army permission to fight against the Vietnamese communists on Cambodian territory. General Lon Nol proclaimed Cambodia the "Khmer Republic", and the country got a new flag and national anthem, which remained in use until the communist Khmer Rouge seized power in 1975.

It is unclear whether this anthem had words or not. A portion of what could be the anthems lyrics appears, translated into English, in Chanrithy Him's book "When Broken Glass Floats", yet information from the Khmer Embassy to Germany for the 1972 Olympic Games do not indicate any official lyrics.

When the radical communist Khmer Rouge guerilla conquered Phnom Penh on 17 April 1975, they first restored the old royalist symbols of state and made Prince Sihanouk again head of state. But in 1976, they declared Cambodia the "Democratic Kampuchea", and adopted its own anthem "Dap Prampi Mesa Chokchey" (Glorious Seventeenth of April) , in a typical communist style of anthem, commemorating the communist takeover of the capital. Although the text seems to predict the massacres caused by the Khmer Rouge by mentioning "blood" several times in the lyrics, it might also be the case that the lyrics rather took pattern from revolutionary songs in classical Marseillaise style. It has also been suggested that the leader of the Khmer Rouge (and president of the country during this time) Pol Pot may have written this anthem himself.

After Vietnamese forces and exile Cambodians invaded Cambodia in January 1979, Cambodia got a pro-Vietnamese, moderate communist government and was declared the People's Republic of Kampuchea. Again, a new flag and national anthem was adopted.

It is not totally certain how long this national anthem was in use; due to the continued pressure by the Khmer Rouge and royalist guerillas, Vietnam withdrew almost all its troops from Cambodia in 1989, and the Cambodian national assembly renamed the country into "State of Cambodia". At that occasion, a new flag and perhaps also a new national anthem were adopted. In 1991, a UN peace plan was signed, and the United Nations Transitional Authority in Cambodia (UNTAC) assumed administrative responsibility for Cambodia in March 1992, and adopted a new flag, which was in use until Cambodia became a Kingdom again in September 1993 and re-adopted its old symbols of state. Some sources mention that a textless tune, composed by Prince Ranariddh, was used as the national anthem during the time of the UNTAC administration.

The current national anthem "Nokoreach" (Royal Kingdom), was originally adopted in 1941 and reconfirmed in 1947, around the time of independence from France. In 1970, the monarchy was abolished, thereby replacing the anthem as well. After the communist victory in 1975, former royalist symbols, including "Nokoreach", were reinstated for a short while until replaced with their own national symbols. After the royalist forces defeated the communists in 1993, putting an end to their long civil war, the royalist anthem was also restored to Cambodia once more. The title of the anthem is derived from the name of an ancient Khmer kingdom. The music was composed by F. Perruchot and J. Jekyll, based on a Cambodian folk tune and the lyrics written by Chuon Nat.

(nationalanthems.info)

Samdech Sangha Raja Jhotañano Chuon Nath (March 11, 1883 – September 25, 1969) is the late Supreme Patriarch Kana Mahanikaya of Cambodia. Amongst his achievements is his effort in conservation of the Khmer language in the form of the Khmer dictionary. His protection of Khmer identity and history in the form of the national anthem, Nokor Reach and Savada Khmer are also amongst his contribution to the country.

The stamp above features Chuon Nat, the anthem lyricist.

England's "Jerusalem"

As a country within the United Kingdom, the official anthem of England is that of the United Kingdom, namely "God Save the Queen". However, like the other constituent countries in the UK, there is often a need for a unique English anthem with a separate identity from the anthem of the UK as a whole, one that is used in some situations, and currently enjoys the most popular support, is "Jerusalem".

First appearing as a poem by William Blake entitled "And did those feet in ancient time" in the early 19th century, it is based on a tale that Jesus visited what is now England as a youth. The "dark Satanic mills" phrase is a reference to the factories and mills of the Industrial Revolution then just beginning, forever changing the landscape and society.

The poem did not garner much attention until the First World War over a century later, when it was included in a patriotic anthology of poems, and was seen as expressing what England was fighting for at the time. Hubert Parry was then requested to put the poem to music, which was completed in 1916. A performance in 1922 (orchestrated by Edward Elgar, the composer of "Land of Hope and Glory") prompted King George V to say that he preferred "Jerusalem" over "God Save the King".

"Jerusalem" is more and more gaining favour in England and is becoming the most popular patriotic song. It has been used as the English national anthem before rugby and cricket matches, is sung in churches on St. George's Day (the English national holiday - the feast day of England's patron saint) and often leads popular opinion polls when the question of a unique English anthem is asked. Critics, however, point out that it would not make a suitable anthem due to its religious nature and its references to a foreign city.

So far, the British Parliament has not made any official proclamation on the issue.

The stamp above of William Blake was issued by Romania in 1958.

Who Composed "God Save The Queen"?

"God Save the Queen" (alternatively "God Save the King") is an anthem used in a number of Commonwealth realms. It is the national anthem of the United Kingdom and its territories and dependencies, Norfolk Island, one of the two national anthems of the Cayman Islands and New Zealand (since 1977) and the royal anthem of Australia (since 1984), Canada (since 1980), Gibraltar, the Isle of Man, Jamaica, and Tuvalu. In countries not previously part of the British Empire, the tune of "God Save the Queen" has also been used as the basis for different patriotic songs, though still generally connected with royal ceremony.

The authorship of the song is unknown, and beyond its first verse, which is consistent, it has many historic and extant versions: Since its first publication, different verses have been added and taken away and, even today, different publications include various selections of verses in various orders. In general only one, or sometimes two verses are sung, but on rare occasions three.

The sovereign and his or her consort are saluted with the entire anthem, while other members of the royal family who are entitled to royal salute (such as the Prince of Wales) receive just the first six bars. The first six bars also form all or part of the Vice Regal Salute in some Commonwealth realms outside the UK (e.g., in Canada, governors general and lieutenant governors are at official events saluted with the first six bars of "God Save the Queen" followed by the first four and last four bars of " O Canada"), as well as the salute given to governors of British overseas territories. The words of the song, like its title, are adapted to the gender of monarch, with "King" replacing "Queen", "he" replacing "she", and so forth, when a king reigns.

God Save the Queen" (or "God Save the King", depending on the gender of the ruling monarch) was a patriotic song first publicly performed in London in 1745 after the king, George II defeated the Jacobite claimant to the throne, "Bonnie Prince Charlie". The song came to be referred to as the national anthem from the beginning of the nineteenth century.

The words and tune are anonymous, and may date back to the seventeenth century. There are various claimants to authorship of both the words and tune, the words can be found as early as 1545, when the watchword at night was "God save the King", the reply was "Long to reign over us." The authorship of the melody has been claimed by many, including John Bull (the author of the earliest piece of music that resembles the work), Henry Carey, Henry Purcell, and Joseph Haydn (although he probably borrowed the tune upon hearing it in London), Marc-Antoine Charpentier, J.B. Lully, and James Oswald.

There is no authorized version of the National Anthem as the words are a matter of tradition. The anthem has also never been officially declared as the national anthem of the country, the royal anthem (as this technically is) is used as the national anthem as a matter of tradition, but this is also due to the unique constitutional situation in the United Kingdom, as the nation doesn't have a formal constitution. The words used are those sung in 1745, substituting 'Queen' for 'King' (and female pronouns with male ones) where appropriate. On official (and most other) occasions, the first verse only is sung, on a small number of occasions, the third verse is heard as well; very rarely is the second verse heard due to its militaristic nature. There exist many other verses, some dating as far back as the first three verses, but the first three are what can best be represented as the "standard" British national anthem.

The British tune has since become one of the world's most recognizable anthems, and has has been used in other countries - as European visitors to Britain in the eighteenth century noticed the advantage of a country possessing such a recognized musical symbol - including Germany, Russia, Switzerland, the United States (where use of the tune continued after independence as a patriotic song and one of several unofficial anthems before 1931), and even today by Liechtenstein and as the royal anthem of Norway. (One might say that because of this fact, that the United Kingdom was the creator of the concept of a "national anthem".) Some 140 composers, including Beethoven, Haydn and Brahms, have used the tune in their compositions.

"God Save the Queen" also serves as the royal anthem for most Commonwealth countries, such as Australia and Canada. (Governor-generals of Commonwealth countries usually have bits and pieces of the national anthem strung together played as their anthem.)

The stamps above features some of the "claimants" to the anthem authorship- Haydn, Purcell and Lully. Below is a first day cover issued in February 6 1992, on the 40th anniversary of the Queen's accession to the throne. A postmark of "God Save the Queen" is seen.

Design Error on Philippine FDC

A postage stamp design error is a mistake made during the design phase of the postage stamp production process. Design errors most commonly occur as minor mistakes, such as a missing letter in the binomial name of an organism depicted on the stamp, but some have been major gaffes, such as a map appearing to lay claim to another country's territory, or the depiction of the wrong person on the stamp.

A design error caught during the production process may disappear quietly, with copies of the error only getting into the public's hands via unscrupulous employees (these are therefore not considered "real" stamps). Design errors are often caught during the distribution process, when large numbers of postal workers are scrutinizing the new stamp; although officials may elect to withdraw all the stamps at that point, it is very difficult to retrieve every one of them, and in these instances a few may end up being sold and used. The exact circumstance are important, because once the stamp is sold to a customer, whether or not against the postal service's rules, it is considered to be legitimate.

Somewhat rarer is a design error that is first noticed by a member of the public. This usually happens within a few days of the stamp first going on sale, usually ends up as the subject of newspaper articles, and has been known to cause a diplomatic breach. The response of postal officials may include withdrawal of all the stamps, or simply the suspension of printing and distribution, pending revision and reprinting. If the stamps are withdrawn, then the ones already out there become instant rarities, as happened with the PRC's "All China is Red" stamp of 1968. The withdrawn stamps may be destroyed or overprinted if the design can be repaired that way.

Above design error on Philippine first day cover showing the wrong date. The date around the image should have been 1551, not 1951 (400 years of Antipolo). The postmark showed the right dates.