Gen.Vicente Lukban on Stamps

-
Vicente R. Lukbán (February 11, 1860–November 16, 1916), was a Filipino officer in Emilio Aguinaldo's staff during the Philippine Revolution and the politico-military chief of Samar and Leyte during the Philippine-American War. The Americans credited him as the mastermind of the infamous Balangiga massacre, in which more than forty American troopers were killed. Later investigations by historians, however, disclosed that Lukban played no actual part in the planning of the attack.
 
Lukbán was born in Labo, Camarines Norte on February 11, 1860 to Agustin Lukbán of Ambos Camarines and Andrea Rilles of Lucban, Tayabas. He completed his early education at Escuela Pia in Lucban, continued his studies at Ateneo Municipal de Manila, and took up Bachelor of Laws at the University of Santo Tomas and Colegio de San Juan de Letran.
 
He returned to Labo after resigning from his job at the Manila Court of First Instance. He married Sofía Dízon Barba and the union produced four children: Cecilia, Félix, Agustín, and Vicente, Jr. Sofía died after their last child was born. Lukbán then left his children in the care of his siblings so that he could devote his time to the cause of the revolution.
 
Lukbán, thereafter, accepted the post of Justice of the Peace. In 1884, he was inducted into Freemasonry, Luz de Oriente ("Light of the Orient"). The organization had attracted many intellectuals and middle-class Filipinos to its ranks. In 1886, he stopped working in the judicial office and busied himself with agriculture and commerce in Bicol. He formed La Cooperativa Popular aimed at promoting the cooperative business activities of small and medium scale producers with the aim to increase their income from the lands by selling their products without passing through middle men. Part of the profits of the cooperatives were secretly remitted to the revolutionary movement of Andrés Bonifacio, the Katipunan. The cooperative also served as an effective covert means of spreading the ideals of the revolution. Their members could move around freely without arousing the suspicion of the Spanish authorities.
 
By 1896, Lukbán had centralized the funds of the cooperatives into the coffers of the revolution. He periodically remitted money to the evolving revolutionary movement. At the same time, he acted as an emissary of the Katipunan unit in Bicol to gather information about the Spanish movements in Manila and to determine how such movements affected Bicol provinces. On one of his trips to Manila, he was arrested by the guardia civiles, ("civil guards") and charged with conspiring to overthrow the government. He was imprisoned in Bilibid prison and tortured[citation needed] at Fort Santiago. While Lukbán was still in prison, the Philippine Revolution began. On August 18, 1897, he was released from jail, together with Juan Luna and immediately thereafter, joined the revolutionary government’s armed forces.
 
In the army, he was commissioned to serve as one of Emilio Aguinaldo's officers. Lukbán was among the few who assisted Aguinaldo in planning war strategies and activities. When the Pact of Biak-na-Bato was signed, he was asked by Aguinaldo to be one of the members of his party going into exile in Hong Kong. Lukban spent his exile in Hong Kong studying military science under the Lord Commander Joseph Churchase of the British Naval command. This enabled him to master the arts of soldiery — fencing, shooting, gunpowder and ammunitions preparations, and the planning and execution of war strategies and tactics.
 
Shortly after Aguinaldo proclaimed Philippine Independence in 1898, Lukbán was sent to the Bicol region to direct military operations against the Spaniards. His successes in Bicol ushered him into a new and challenging assignment: as Leyte and Samar's politico-military chief. Lukbán married his second wife Paciencia Gonzales in Samar. This union produced eight children: Victoria, Juan, María, Fidel, Rosita, Ramon, José and Lourdes.
 
On December 31, 1899, a hundred riflemen under Lukbán gathered and he proclaimed himself the new governor of Samar under the First Philippine Republic. When the U.S. 1st Infantry Regiment landed on Samar’s shores in January 1901, they were met by suicidal charges of bolomen under Lukbán’s command. Nevertheless, Lukban was soon forced to retreat into the island's interior, leaving behind an organized resistance network. Samareños caught cooperating with the Americans were executed swiftly and dramatically. When U.S. General Arthur MacArthur offered Lukban amnesty in exchange for his surrender, he turned it down and swore to fight to the end.
 
Although bearing command responsibility for the Balangiga massacre, Lukbán learned about it a week later, on October 6, 1901. Other than a letter to town mayors encouraging them to follow the Balangiga example on the same date, there are no published records of his reaction to the news or later comment from him.
 
After Baldomero Aguinaldo’s capture in 1901, Samar, under Lukbán's leadership, remained one of the few areas of Filipino resistance. American troops encountered few enemies to fight in the open, finding themselves constantly harassed by Lukbán's guerrillas. However, two prisoners later revealed the location of Lukbán’s secret headquarters along the Cadac-an River, Basey, Samar. The prisoners warned that the fort was impregnable, but Major Littleton Waller sent scouts to investigate. On November 17, 1901, Waller attacked with an amphibious assault team up the river, as Captains Bearss and Porter attacked by land with forces from Basey and Balangiga. The amphibious assault was foiled by a Filipino trap, and Porter attacked alone. The Filipino soldiers fled before machine gun fire, leaving scaling ladders behind for the Americans. The retreating Filipinos were gunned down from behind as the American flag was raised above the garrison. It was a clear victory for the United States, with 30 Filipinos dead and the capture of Lukbán and his lieutenants. The war on Samar, however, would not truly be over until the rugged interior was conquered.
 
Lukbán's career did not end with his captivity. He was elected governor of Tayabas (now Quezon province) in 1912 and re-elected in 1916. He died at his Manila residence on November 16, 1916
.
Date of Issue: July 31, 1987

Popular posts from this blog

The Visayas Art Fair 2024- Connect, Create, Cultivate

-
Image
  How do you show appreciation for your art and culture? By owning it- it is a piece of your heritage - a future relic. It does not have to be very beautiful or costly. But if it "speaks" to you, acquire it, keep it, because you like looking at it, your descendants will thank you for it. Your painting might be in the Cebu City museum in 2068!    Take the time to visit the Visayas Art Fair 2024. Twenty eight galleries from all over the country showcasing deeper visual imageries and a diversity of styles and representations. The VAF aims to expound on the relationship between the visual arts and the creative industries that fuel their economic potential.    The Visayas Art Fair was a historical undertaking in 2021 with the banner, Connecting The Islands Through Art, initiated by the National Commission for Culture and Arts , together with the Cebu Design Week Inc., Office of the Presidential Assistant for the Visayas , Sacred Heart School for Boys Batch 1985 Foundation, a
Read more

Rodolfo S. Cornejo on Stamp

-
Image
Rodolfo S. Cornejo is the first Filipino composer who received an honory degree from a government recognized music school in the United States . He is also remarkable for his pianistic and compositional know-how by improvising a piano composition at the spur of the moment.   He was born on 15 May 1909 in Singalong , Manila . At the age of six, he had his formal piano lessons. After 2 years, he played fourteen pieces and six encores for his recital. In that same year, he became the organist of the Pasay Catholic Church when they moved in. When he was ten, he composed a piano piece entitled, " Glissando Waltz ". He became so keen and inspired about music by his mother's genuine support.    At 13, he composed the "Salute", a military march that was also published. He also composed the Philippine Suite: Paalam sa Pagakadalaga , Okaka Variations , Paalam na Sinta , Oriental Fantasy , Nocturne in G, Piano Concerto no. 1 , and the Moro Wedding Dance . At 14, tw
Read more

Manuel H. Bernabe on Stamps

-
Image
Manuel H. Bernabe (1890-1960) “King of Balagtasan ” in Spanish was a poet, linguist and politician, Manuel Bernabe was born on February 17, 1890 to Timoteo Bernabe and Emilia Hernandez of Paranaque, Rizal .   At the age of 10, he already started writing verses. He studied at the Ateneo de Manila where he finished his Bachelor of Arts degree with high academic standing in 1907, and then took up law at the University of Santo Tomas , but not able to took up the bar exams. In 1910, Manuel’s first poem was published in the Renacimento Filipino.   In 1912, he translated Virgil’s Aenid from Latin to Spanish. In 1913, he received an award for his poems: “Himno al Sagrado Corazon de Jesus (Hymn to the Sacred Heart of Jesus ), “El Zapote,” and “Espana a Filipinas”.   In 1912, he joined the staff of La Democracia and in 1918, of La Vanguardia of the Roces Publications . He was a columnist but from time to time he also published poems and short stories in the magazine Exelsior.   Manuel
Read more

Tops Artfest 2024- A Celebration of Art

-
Image
The TOPS ARTFEST 2024: Why The Cebu Community Should Not Miss It?  By Celso Duazo Pepito I was happy to graduate in Fine Arts in 1981 at the University of the Philippines Cebu . But for the next two to three decades of  my art practice, my journey as member of creative community were full of difficulties and challenges. In the 80's and 90's we had very limited platforms for exhibition, encouraging us to organize our exhibits in hotels , restaurants , malls , hospitals , etc . Added to our problems is the limited art collectors in Cebu during that time. Attendees of exhibitions, more often than not were same people who have the heart for collecting artworks. And there were instances when these collectors will shy away from art exhibitions, with valid reasons that they do not have enough walls to hang their collections. With this problem in mind, few artists have opted to look for another job, if only to survive. There were few passionate painters, however, that opted to nurture
Read more

Glimpses of Old Cebu: Images of the Colonial Era

-
Image
" Glimpses of Old Cebu: Images of the Colonial Era " is a 276-page coffee table book of nearly 600 of the best photographs, postcards , stereoviews and lantern glass slides of Cebu and its many towns taken between 1870-1945. More than just a mere showcasing of rare, never-before-seen images, the book also provides a treasure trove of information accompanying nearly every picture. The author, Lucy Urgello Miller has been collecting vintage Philippine postcards and photographs for over 20 years, the thrust of her collection being Cebu . She acquired 90% of her Cebu collection in the United States where she is living with her husband Richard "Rick" Miller. Most of the collection was bought at antique postcards shows. Lucy has about 1,000 pictures and postcards on Cebu but she selected only the best and most interesting for this book. Mommy Gingging, Lucy and my wife Grace A blue-blooded Theresian, Lucy spent her entire education from kind
Read more

The Kudyapi- The Philippine Two-Stringed Lute

-
Image
The kutiyapi or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Maguindanao people, and one of several among other groups such as the Maranao and Manobo . It is four to six feet long with nine frets made of hardened beeswax . The instrument is carved out of solid soft wood such as from the jackfruit tree.   Common to all kutiyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kebit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", which were influenced by varying degrees by Indian concepts of melody and scale via the Malay archipelago .   Among the T'Boli , Manobo and other Lumad groups, the instrument (known as Hegelung, Kudyapi or Fedlung) is tuned to a major pentatonic scale . Among groups like the Bagobo , the Kutiyapi (Kudlung) is also used as
Read more

Vicente Fabella on Stamps

-
Image
Vicente F. Fabell a (1891-1959). Educator, economist, civic leader and the first Filipino certified public accountant . He was the founder of Jose Rizal College .  He was born on May 7, 1891 in Pagsanjan , Laguna , the third of six children of Juan Fabella, who served as mayor of Pagsanjan during the Spanish and American regimes, and Damiana Fernandez.    He obtained his Bachelor of Arts degree from the University of the Philippines in 1912 and then continued his studies in the United States, obtaining concurrent degrees of bachelor of philosophy from the University of Chicago and diploma in commerce from Northwestern University in 1915. That same year, he became a certified public accountant in the state of Wisconsin .   In 1916, upon his return to the Philippines, he became a professional lecturer in accounting and auditing at the University of the Philippines . At the same time, he opened the accounting firm, Vicente Fabella and Company.   He was instrumental in the founding
Read more