My L.V. Beethoven Stamps from Arabia

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These are the LV Beethoven stamps from Arabia numbering 58. I have all the stamps except Fujeira 1972 Michel block 132, Fujeira 1971 MK 681 -Planche and Ras Al Khaima 1971 Michel BF 114.

LVB stamps America

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Rodolfo S. Cornejo on Stamp

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Rodolfo S. Cornejo is the first Filipino composer who received an honory degree from a government recognized music school in the United States . He is also remarkable for his pianistic and compositional know-how by improvising a piano composition at the spur of the moment.   He was born on 15 May 1909 in Singalong , Manila . At the age of six, he had his formal piano lessons. After 2 years, he played fourteen pieces and six encores for his recital. In that same year, he became the organist of the Pasay Catholic Church when they moved in. When he was ten, he composed a piano piece entitled, " Glissando Waltz ". He became so keen and inspired about music by his mother's genuine support.    At 13, he composed the "Salute", a military march that was also published. He also composed the Philippine Suite: Paalam sa Pagakadalaga , Okaka Variations , Paalam na Sinta , Oriental Fantasy , Nocturne in G, Piano Concerto no. 1 , and the Moro Wedding Dance . At 14, tw...
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Vicente Fabella on Stamps

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Vicente F. Fabell a (1891-1959). Educator, economist, civic leader and the first Filipino certified public accountant . He was the founder of Jose Rizal College .  He was born on May 7, 1891 in Pagsanjan , Laguna , the third of six children of Juan Fabella, who served as mayor of Pagsanjan during the Spanish and American regimes, and Damiana Fernandez.    He obtained his Bachelor of Arts degree from the University of the Philippines in 1912 and then continued his studies in the United States, obtaining concurrent degrees of bachelor of philosophy from the University of Chicago and diploma in commerce from Northwestern University in 1915. That same year, he became a certified public accountant in the state of Wisconsin .   In 1916, upon his return to the Philippines, he became a professional lecturer in accounting and auditing at the University of the Philippines . At the same time, he opened the accounting firm, Vicente Fabella and Company.   He was inst...
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The Kudyapi- The Philippine Two-Stringed Lute

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The kutiyapi or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Maguindanao people, and one of several among other groups such as the Maranao and Manobo . It is four to six feet long with nine frets made of hardened beeswax . The instrument is carved out of solid soft wood such as from the jackfruit tree.   Common to all kutiyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kebit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", which were influenced by varying degrees by Indian concepts of melody and scale via the Malay archipelago .   Among the T'Boli , Manobo and other Lumad groups, the instrument (known as Hegelung, Kudyapi or Fedlung) is tuned to a major pentatonic scale . Among groups like the Bagobo , the Kutiyapi (Kudlung) is also used as...
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Manuel H. Bernabe on Stamps

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Manuel H. Bernabe (1890-1960) “King of Balagtasan ” in Spanish was a poet, linguist and politician, Manuel Bernabe was born on February 17, 1890 to Timoteo Bernabe and Emilia Hernandez of Paranaque, Rizal .   At the age of 10, he already started writing verses. He studied at the Ateneo de Manila where he finished his Bachelor of Arts degree with high academic standing in 1907, and then took up law at the University of Santo Tomas , but not able to took up the bar exams. In 1910, Manuel’s first poem was published in the Renacimento Filipino.   In 1912, he translated Virgil’s Aenid from Latin to Spanish. In 1913, he received an award for his poems: “Himno al Sagrado Corazon de Jesus (Hymn to the Sacred Heart of Jesus ), “El Zapote,” and “Espana a Filipinas”.   In 1912, he joined the staff of La Democracia and in 1918, of La Vanguardia of the Roces Publications . He was a columnist but from time to time he also published poems and short stories in the magazine Exelsi...
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  Vintage Piece 2, Oil on Canvas 2005   Antonio Vidal's artistic journey began at an early age.  He has shown and discovered his penchant for art even before entering his elementary education.  Born and raised in Puerto Princesa, Cebu , he used to go to his mother to church and got fascinated with the Cherubim , decorating the house of God.  His exposure to religious processions , especially during fiesta celebration, has added up to his intention to draw angels and other spiritually-enriching images.  As he continually joins his mother attending church activities, his strong interest in ecclesiastical arts gradually manifested. With much encouragement and support from his father, Tony decided to enroll in an art workshop in Gallery 90 in Cebu .  With positive guidance and motivation from his mentors, he learned the basic of doing portraiture in black and white providing comfort and ease in this medium.  This led him enrolling at the UP Cebu F...
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Kulintang- Philippine Bossed Gong and Subing- Philippine Jaw Harp

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The Philippine National Anthem

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On June 5, 1898, a week before Philippine independence would be declared, Julian Felipe , a local pianist from Kawit, Cavite, arrived at the home of Maximo Inocencio, one of Cavite's thirteen martyrs during the revolution. Upon his arrival, the leader of the revolution, General Emilio Aguinaldo, asked Felipe to play a march written by a Filipino in Hong Kong. However, Aguinaldo was not satisfied with this march. Recognizing Felipe's skills, he asked him to compose a more soul-rousing tune that would install courage and patriotism in the hearts of every Filipino. On June 11, the day before the declaration of independence, Felipe arrived again and played his tune to the revolutionary leaders. The leaders unanimously approved it as the national hymn. Felipe called his work the "Marcha Filipina Magdalo." On June 12, Felipe's tune was played during the hoisting of the Philippine flag at the historic window at the Aguinaldo mansion. The march was renamed the "March...
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