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Showing posts with the label Kalinga

Whang-Od- The Oldest and Last Mambabatok of her Generation

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I would never imagined I'd ever have a tatoo in my life. When I was young, I loathed rhe idea of having tatoos- why put graffiti on your body, it's tantamount to desecrating God's creation? Then I read Bantugang Sugbuan chapter on Painted Bodies by Jay Nathan T. Jore that this practice is a Cebuano cultural heritage. "Decorative painting and decoration in general during the precolonial Cebu were "not architectural, rather it was centered in one important entity - the human- body. As a prized possession, the human body is well celebrated ans decorated. Art was a celebration of this humanist attitude, geared towards the endowment of the human body with the implements and ornamentation that mark the bearers with proper distinction in society and command certain roles in community affairs". That notion that tattooing was undesirable was further shattered when I visited Whang-od . I also realized that she being an artist and my body- the canvas, I've become ...

Finally Met Whang-od: The Last Mambabatok

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In my younger days I detest tatoos. I thought, why would someone desecrate his own body (the temple of the Holy Spirit ) for art's sake . But upon reading the book Bantugang Sugbuanon , Pigafetta mentioned the early Cebuanos had tatooed bodies as an expression of their craft and status. So tattoo artist are technically creatives using the skin as the canvas, thus making the person a walking work of art! But this will be my first and last tatoo. So glad I decided to pursue this daunting trip. Proud of our IP 's, cultural minorities and their traditions❤️ Thank you Whang-od . Thank you Grace and  Sunstar for the feature! Encounter with Apo Whang-Od: The Last Mambabatok The frenzy surrounding the April 2023 cover of Vogue Philippine edition drew my attention to the story of this famous 106-year-old cover girl. As we were already planning a trip to the Rice Terraces in the Cordilleras, I conferred with our tour operator on how to go about visiting Buscalan after Banaue and b...

Kulintang- Philippine Bossed Gong and Subing- Philippine Jaw Harp

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Instruments that produce sound from the substance of the instrument itself (wood or metal) are classified as idiophones . They are further divided into those that are struck, scraped, plucked, shaken, or rubbed. In the Philippines, there are metal and wooden (principally bamboo) idiophones. Metal idiophones are of two categories: flat gongs and bossed gongs,. Flat gongs made of bronze, brass, or iron are found principally in the north among the Isneg , Tingguian , Kalinga , Bontok , Ibaloi , Gaddang , Ifugao , and Ilonggot . They are commonly referred to as gangsa . The gongs vary in size, the average are struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand. Gong playing among the Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts or rituals. In Southern Philippines, gongs have a central profusion or knot, hence the term bossed gongs . They are of three types: 1) sets of graduated gongs ...