The Anthem Philatelist

Pedro D. Villadolid, Waterfalls, 1979, Oil on Masonite, 24"x42",  Private  Collection   Pedro D. Villadolid (6 October 1916- 7 August 1980) loved nature. He was a self taught painter who  worked with actual subjects but added elements from his fertile and wild imagination. In this painting we see lush autumn tree colors not seen in our country and two deers with long antlers, non-existent in Bantayan island ,  Cebu . He loved birds in flock-of-seven and here, we see them perched on a branch (right tree), on a rock (beside middle tree) and in flight (left tree).  This flock-of-seven bird pattern can also be seen in his 1953 Farm scene , 1976 Forest , and in this painting. His trees appear crooked and asymmetrical, the rock formations unrealistic.  "He paints with apparent disregard for proportion or natural coloration.  His subjects architecture were free, loose with bright gay colored patterns", writes Manuel Duldulao in his famous 1982 book, A Century of Re

  Mark the date-August 25, 2024 at the SM Art Center SM Megamall- A Solo Exhibit of Cebuano Master Cubist Celso Duazo Pepito featuring retrospective and recent works. It is also a pre-launching of his book- Going Above, Over and Beyond which will officially unfold in Cebu City on November 10,2024. Primarily a painter, Celso Pepito’s (b.1956) practice stems from his love of God, family, and country. Guided by Saint Josemaría Escrivá’s teachings on the sanctification of ordinary work, Pepito believes that man must not limit himself to material production and instead remember Escrivá’s proclamation that “Work is born of love; it is a manifestation of love and is directed towards love."  Hence, Pepito’s devotion to illustrating representations of life through these virtues, along with its struggles and triumphs, are presented in the exhibition Antecedence. The selection offers a glimpse into Pepito’s artistic career, which spans four decades of mostly working with sketches , drawin