Stonehenge
Many early historians were influenced by supernatural folktales in their explanations. Some legends held that Merlin had a giant build the structure for him or that he had magically transported it from Mount Killaraus in Ireland, while others held the Devil responsible. Henry of Huntingdon was the first to write of the monument around 1130 soon followed by Geoffrey of Monmouth who was the first to record fanciful associations with Merlin which led the monument to be incorporated into the wider cycle of European medieval romance.
According to Geoffrey's Historia Regum Britanniae, using his magic Merlin took the circle from its original place in Ireland at the behest of Aurelius Ambrosius to serve as an appropriate burial place for Britain's dead princes. In 1655, the architect John Webb, writing in the name of his former superior Inigo Jones, argued that Stonehenge was a Roman temple, dedicated to Caelus, (a Latin name for the Greek sky-god Uranus), and built following the Tuscan order. Later commentators maintained that the Danes erected it. Indeed, up until the late nineteenth century, the site was commonly attributed to the Saxons or other relatively recent societies.
According to Geoffrey's Historia Regum Britanniae, using his magic Merlin took the circle from its original place in Ireland at the behest of Aurelius Ambrosius to serve as an appropriate burial place for Britain's dead princes. In 1655, the architect John Webb, writing in the name of his former superior Inigo Jones, argued that Stonehenge was a Roman temple, dedicated to Caelus, (a Latin name for the Greek sky-god Uranus), and built following the Tuscan order. Later commentators maintained that the Danes erected it. Indeed, up until the late nineteenth century, the site was commonly attributed to the Saxons or other relatively recent societies.