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Glimpses of Old Cebu: Images of the Colonial Era

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"Glimpses of Old Cebu: Images of the Colonial Era" is a 276-page coffee table book of nearly 600 of the best photographs, postcards , stereoviews and lantern glass slides of Cebu and its many towns taken between 1870-1945. More than just a mere showcasing of rare, never-before-seen images, the book also provides a treasure trove of information accompanying nearly every picture. The author, Lucy Urgello Miller has been collecting vintage Philippine postcards and photographs for over 20 years, the thrust of her collection being Cebu . She acquired 90% of her Cebu collection in the United States where she is living with her husband Richard "Rick" Miller. Most of the collection was bought at antique postcards shows. Lucy has about 1,000 pictures and postcards on Cebu but she selected only the best and most interesting for this book. Gingging, Lucy and Grace A blue-blooded Theresian, Lucy spent her entire education from kindergarten to coll...
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Celso Pepito's Mangostain Paintings at Mindanao Art Fair

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Parayeg, 11"x 8", Mangosteen stains/acrylic, 2024                            Celso Pepito ’s use of mangosteen stain as an artistic medium is a rare and distinctive artwork that originated from his "Mangosteen Discovery," which occurred during his participation in the Mindanao Art Fair at SM Lanang in Davao City . Inspired by Davao's abundance of local fruits , the celebrated Cebuano visual artist experimented with the deep, rich muddy pigments left behind by the fruit's rind. He subsequently integrated these natural organic stains into his paintings as a creative homage to the region . The Medium : Pepito utilizes the persistent dark purple juices of the mangosteen fruit to create unique organic stains and layers on his canvases. This approach adds distinct earthy and plum-toned hues to his mixed-media compositions. Signature Cubist Style : Despite experimenting with alternative materials like fruit stains, Pepit...
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Nude Studies Collection: Yap, Galicano, Abellana, Deguilmo, Alcoseba, Francisco, Natural, Dingal and Gequillo

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  Jonathan Abellana , 2023 Nude studies are highly valued in art collections because they provide a raw, foundational look at an artist's technical mastery, creative process, and lineage. Historically considered the ultimate test of draftsmanship, these works bridge the gap between academic preparation and finished masterpieces. Incorporating nude studies enhances a collection's value across several key dimensions. Luther Galicano , 1993-1994, New York Unlike highly polished, completed works, nude studies reveal an artist’s initial vision and technical methodology. They show the underlying structure, preliminary linework, and anatomical exploration that inform larger, complex compositions—such as biblical , historical, or mythological paintings.  I place a strong emphasis on the hands , dedicating particular attention to the nuances of their gesture, placement, and intricate details. Kimsoy Yap , 1979, New York The human body is widely considered one of the most challenging s...
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The Kudyapi- The Philippine Two-Stringed Lute

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The kutiyapi or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Maguindanao people, and one of several among other groups such as the Maranao and Manobo . It is four to six feet long with nine frets made of hardened beeswax . The instrument is carved out of solid soft wood such as from the jackfruit tree.   Common to all kutiyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kebit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", which were influenced by varying degrees by Indian concepts of melody and scale via the Malay archipelago .   Among the T'Boli , Manobo and other Lumad groups, the instrument (known as Hegelung, Kudyapi or Fedlung) is tuned to a major pentatonic scale . Among groups like the Bagobo , the Kutiyapi (Kudlung) is also used as...
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Don Tomas Liao Lamco- Stalwart of the Pre-war Chinese Community

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Don Tomas Liao Lamco Don Tomas Liao Lamco  Before the emergence of giant malls and supermarkets in Cebu, he owned the largest pre-war grocery and general merchandise store called "La Belleza" as well as the international trading enterprise Tomas Liao Lamco & Co. in Norte America St. (now D. Jakosalem ). Fluent in Spanish, Chinese and Cebuano, he was an expert in trading and the financial markets during his time. As a prominent figure in Cebu’s pre-war Chinese community, he served as a senior leader of the Cebu Chinese Chamber of Commerce leading up to World War II .  In 1912, he co-founded the Cebu Chinese Association along with other rich businessmen includung Benito Tan Unchuan , Alfonso Sycip and Manuel Gotianuy among others. Most of them were from Xiamen.  In 1923, the association was reorganized and became the Cebu Chinese Chamber of Commerce . Published in 1913, here is what the Rosenstock's Reference Library of the Philippines said about him on page 64: ...
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Cebuano Artists Painting Collection- Celso Duazo Pepito

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The Will to Live 2021, 20"x 14", Mixed Media ( Autostereogram )     When we look and appraise a painting by color deficient   Master artist Celso Duazo Pepito , one will immediately come face to face with a brilliantly made work of art.    He was born 54 years ago on the 22nd of November in Daan Bantayan , Cebu . He plunged into the world of art as a young man who showed special skills in lettering . He was surprised when he steps into the halls of the University of the Philippines that the fine arts course was after all about painting. His painting career soon took off soon after college.    There were years of facing struggles hurdling one trial after another. But, like college education, experience is considered as the best teacher. His paintings are known to contain imagery that is brought to life by crisp and clear lines, bold strokes and his usual usage of bright color scheming. But deep within his subjects are personal motives and intent...
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Darby Vincent Alcoseba- ReimagIning Realism

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Darby Vincent Alcoseba, Vendors, Early Works in Watercolor Darby Vincent Alcoseba is a illustrious figure in the contemporary Philippine art landscape, bridging classical Cebuano ( Sugbuanon ) realism with a modern, global sensibility. Born on June 26, 1983, in Cebu City , Alcoseba belongs to a four-generation artistic dynasty that has heavily shaped Visayan culture. While he initially pursued an academic path far removed from canvas and pigment, his inherent lineage eventually caught up with him, prompting a dramatic pivot that established him as an internationally recognized master of realist and surrealist painting. The Weight of Artistic Heritage To understand Alcoseba’s art is to understand the legacy he carries. His great-grandfather, Jose Trinidad “Noy Peping” Alcoseba  (1892-1987) was a founding member of the historic Cebu Art Association in 1936. Noy Peping had 3 children- Vidal Sr, Wigberto and Leo. Darby's father, Antonio "Tony" Alcoseba , son of Vidal Sr....
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